音乐剧《锦城春色》—音乐表现分析
发布时间：2018-10-10 20:43
【摘要】：雷纳德·伯恩斯坦（Leonard Bernstein，1918-1990），美国作曲家、指挥家、钢琴家、音乐教育家，由于他在音乐灵感和创造思维上的独到性，使得他在音乐发展方面有着多重的贡献，这些造就他成为二十世纪国际知名的作曲家。他也是在国际音乐舞台取得广泛赞誉的第一位美国人。此外，也有很多人认为他是美国最伟大的指挥家。他的传奇，不仅仅是因为他出色的音乐创作，还包括他澎湃的激情、超凡的魅力、强烈的信念和对生活无限的憧憬。 本论文试图对伯恩斯坦早年时期所创作的音乐剧《锦城春色》进行研究。该剧是伯恩斯坦主要代表作之一，他将精湛的专业化创作技巧和美国风格的音乐舞蹈巧妙地融为一体，将音乐剧的艺术品位和演员的表演艺术提升到了一个新的境界。本文主要对其戏剧主题、音乐技术以及音乐戏剧场景等几个方面进行论述，从而客观的评价伯恩斯坦的音乐创作风格。 论文第一章，作曲家概述，包括对作曲家创作个性及其创作时期划分。 论文第二章，，音乐剧《锦城春色》的音乐分析，首先从作品时代背景和创作背景入手，然后对音乐本体的创作技法进行分析，归纳伯恩斯坦在这部作品中所使用的创作技法。 论文第三章，音乐剧《锦城春色》的创作特征分析，纵向归纳伯恩斯坦在《锦城春色》中所展现的总体特征、个性化特征以及音乐戏剧特征等。 论文第四章，音乐剧《锦城春色》部分戏剧场景的形式特点，主要包括音乐素材、舞蹈解说的情节、人物心理描摹以及戏剧气氛等。 论文第五章，结语。以前几章研究为基础，对音乐剧创作风格进行归纳、总结，进一步阐述伯恩斯坦的音乐观。
[Abstract]:Leonard Bernstein,1918-1990, an American composer, conductor, pianist, music educator, has contributed so much to the development of music because of his originality in musical inspiration and creative thinking. These made him an internationally renowned composer in the twentieth century. He was also the first American to gain wide acclaim on the international music stage. There are also many who regard him as America's greatest conductor. His legend, not only because of his outstanding music creation, but also his surging passion, charisma, strong faith and boundless vision of life. This thesis attempts to study the musical "Jincheng Spring" by Bernstein in his early years. The play is one of Bernstein's major masterpieces. He combines exquisite professional creative skills with American-style music and dance, and promotes the artistic taste of musicals and the performing arts of actors to a new level. In this paper, the theme of his drama, music technology and musical drama scene and other aspects are discussed, so as to objectively evaluate Bernstein's music creation style. The first chapter is the summary of the composer, including the division of the composer's creative personality and the period of his creation. In the second chapter, the music analysis of musical "Jincheng Spring" begins with the background of the era and the background of creation, then analyzes the creative techniques of music ontology, and summarizes the creative techniques used by Bernstein in this work. In the third chapter, the author analyzes the creative features of musical "Jincheng Spring", and summarizes the overall features, individualized features and musical and dramatic features of Bernstein in "Jincheng Spring" longitudinally. The fourth chapter of the paper, the musical "Jincheng Spring" part of the drama scene form characteristics, mainly including music material, dance narration of the plot, the psychological portrayal of characters and drama atmosphere and so on. Chapter five, conclusion. Based on the previous chapters, the musical creation style is summarized, and Bernstein's view of music is further elaborated.
【学位授予单位】：华南理工大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J832
本文编号：2263183
[Abstract]:Leonard Bernstein,1918-1990, an American composer, conductor, pianist, music educator, has contributed so much to the development of music because of his originality in musical inspiration and creative thinking. These made him an internationally renowned composer in the twentieth century. He was also the first American to gain wide acclaim on the international music stage. There are also many who regard him as America's greatest conductor. His legend, not only because of his outstanding music creation, but also his surging passion, charisma, strong faith and boundless vision of life. This thesis attempts to study the musical "Jincheng Spring" by Bernstein in his early years. The play is one of Bernstein's major masterpieces. He combines exquisite professional creative skills with American-style music and dance, and promotes the artistic taste of musicals and the performing arts of actors to a new level. In this paper, the theme of his drama, music technology and musical drama scene and other aspects are discussed, so as to objectively evaluate Bernstein's music creation style. The first chapter is the summary of the composer, including the division of the composer's creative personality and the period of his creation. In the second chapter, the music analysis of musical "Jincheng Spring" begins with the background of the era and the background of creation, then analyzes the creative techniques of music ontology, and summarizes the creative techniques used by Bernstein in this work. In the third chapter, the author analyzes the creative features of musical "Jincheng Spring", and summarizes the overall features, individualized features and musical and dramatic features of Bernstein in "Jincheng Spring" longitudinally. The fourth chapter of the paper, the musical "Jincheng Spring" part of the drama scene form characteristics, mainly including music material, dance narration of the plot, the psychological portrayal of characters and drama atmosphere and so on. Chapter five, conclusion. Based on the previous chapters, the musical creation style is summarized, and Bernstein's view of music is further elaborated.
【学位授予单位】：华南理工大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J832
【参考文献】
相关期刊论文 前3条
1 刘筱,田可文;关注美国——1988-2003年武汉音乐学院的美国音乐研究[J];黄钟(中国.武汉音乐学院学报);2004年02期
2 范哲明;走向新世纪的新音乐(上)——20世纪末美国音乐概观[J];乐府新声(沈阳音乐学院学报);1999年02期
3 范哲明;走向新世纪的新音乐(下)——20世纪末美国音乐概观[J];乐府新声(沈阳音乐学院学报);1999年03期
本文编号：2263183
本文链接：https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2263183.html
