任庄扇鼓傩戏调查与研究

发布时间：2018-10-30 12:02

【摘要】：中国地大物博,物种万千,作为戏曲曲种产物之一的傩戏,在历史发展中有着重要的位置。现如今,由于种种原因,例如社会的发展,技术的革新,岁月的洗礼等等,使得这些音乐形式逐渐的趋于消失。山西省临汾市是中华文明的发祥地之一,由于其特殊的地理位置,自古以来,这里的先民们就以博大的胸怀与周边地区的文化汇集交融,由于它与外地接触较多从而形成了多民族特征的、绚丽的民俗文化,并且与人们的日常生活相联系。其中曲沃县任庄扇鼓傩戏作为民俗文化的一个代表,在2009年被列入了国家级非物质文化遗产保护的行列。曲沃县任庄扇鼓傩戏艺术,自申报以来,引起了各大研究人员的关注。任庄扇鼓傩戏艺术自发掘和研究以来,始终以其自身演出形式的不同、久远的历史渊源、复杂的文化基因、自成体系的表现形式、扑朔离迷的宗教内容吸引着国内外的注目。其中探讨得较多的问题,是对傩文化起源和形成过程的考证、《扇鼓神谱》的研究、以及它在流变中受到的各种文化影响的分析。傩作为特定历史条件下产生广泛而深远影响的文化现象,在整个人类社会剧烈变迁后还得以生存并延袭下来,不只是沿着一条单纯的文化和心理线索发展至今的,也就是说,不仅是因为人们精神上的变化使然。关于这一点,我们可以从许多有关原始艺术的产生和原始心理的特征的研究中得到证明。而傩的发展和傩戏的出现,也是既有继承性又不断变化的社会生活的精神产品。对于任庄扇鼓傩戏的研究,在进行申报时采集样品之前的研究是最为较多的,此次演出也是最为隆重的一次,在此之后研究的人稍微少了些。在此论文中我从它本身的发展形态、它与宗教的关系、它与贵州地区一些傩戏的比较来进行研究。本论文有六个章节组成：第一章山西曲沃县概况第二章中国傩戏概况第三章任庄扇鼓傩戏第四章任庄扇鼓傩戏与宗教的关系第五章任庄扇鼓傩戏与贵州地区傩戏的比较第六章任庄扇鼓傩戏的传承与保护
[Abstract]:As one of the products of opera, Nuo Opera plays an important role in the development of history. Nowadays, due to various reasons, such as social development, technological innovation, baptism of the years and so on, these forms of music gradually disappear. Linfen City, Shanxi Province, is one of the birthplaces of Chinese civilization. Because of its special geographical position, since ancient times, the ancestors here have converged with the culture of the surrounding areas with a broad mind. Because it has more contact with other countries, it forms a colorful folk culture with multi-national characteristics, and is connected with people's daily life. As a representative of folk culture, Quwu County Fan Drum Nuo Opera was listed in the ranks of national intangible cultural heritage protection in 2009. The art of fan-drum Nuo opera in Quwu County has attracted the attention of researchers since it was declared. Since exploring and researching the art of Renzhuang Fan Drum Nuo Opera, it has always attracted the attention of domestic and foreign people with its own performance forms, long history origin, complex cultural genes, the form of expression of its own system, and the religious content of its own fan-drum Nuo opera. Among them, many problems are discussed, such as the textual research on the origin and formation process of Nuo culture, the study on the spectrum of fan drum spirit, and the analysis of the influence of various cultures on it in the course of its development. Nuo, as a cultural phenomenon with extensive and far-reaching influence under specific historical conditions, has survived and survived after the drastic changes in the entire human society, not only along a simple cultural and psychological clue, that is, to this day, It's not just the changes in people's minds that make it happen. In this regard, we can be proved by many studies on the origin of primitive art and the characteristics of primitive psychology. The development of Nuo and the appearance of Nuo Opera are also the spiritual products of social life. For the study of Renzhuang Fan Drum Nuo Opera, the research before collecting samples is the most extensive, and this performance is also the most solemn one. In this paper, I study from its own development form, the relationship between it and religion, and the comparison with some Nuo operas in Guizhou. This thesis consists of six chapters: the first chapter is the general situation of Quwo County, Shanxi Province; the second chapter is the general situation of Chinese Nuo Opera; Chapter 3: the relationship between Rinzhuang Fan Drum Nuo Drama and Rinzhuang Fan Drum Nuo Drama; Chapter 5 Renzhuang Fan Drum Nuo Opera and Guizhou Regional Nuo Opera Chapter 6: inheritance and protection of Renzhuang fan-drum Nuo opera
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J825

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