音乐剧《走进森林》音乐创作分析
发布时间：2018-10-30 13:54
【摘要】：史蒂芬·桑德海姆(Stephen Sondheim) (1930年3月22日——)是美国著名的音乐剧作曲家,“概念音乐剧”的鼻祖,创作了大量的音乐剧作品,并且大多是一个人包揽词曲创作。创作不仅在于音乐剧,还有影视配乐等。《走进森林》是桑德海姆的代表作,其创作理念在80年代末的美国百老汇产生了深远影响,音乐创作也尤为出色。本文主要从历史角度通过对20世纪后期美国百老汇剧场历史背景的阐述,引出概念音乐剧产生的社会环境,从而对音乐剧《走进森林》进行音乐创作分析。国外对于桑德海姆和概念音乐剧的研究已经展开,而国内尚处于起步阶段,这与他的历史地位和概念音乐剧的创作发展产生的影响明显不对等。当前,我国的音乐剧仍是以剧本音乐剧为主,向观众讲述一个完整的故事,总体是“开始、发展、高潮、结束”的顺序。概念音乐剧则把创作者要表达的理念、主旨放到突出位置,事件的展开都是以此为中心,但是这并不等同于完全放弃故事情节的发展逻辑。桑德海姆被认为是概念音乐剧的代名词,他的创作理念超前,极具实验色彩,对我国尚处于起步阶段的音乐剧创作有很大的启发意义。音乐结构的关联性,如主题贯穿、发展的运用是音乐剧的音乐创作需要学习的方面。作曲家以富有概念音乐剧表现特征的手段赋予了这部音乐剧动人的艺术色彩。本文主要从音乐创作的角度通过对音乐剧《走进森林》(Into the Woods)的分析,试图解析音乐与戏剧表现的种种联系。本文共分为五章:第一章对桑德海姆的成长环境、与概念音乐剧的渊源和概念音乐剧的产生、发展历史进行简要的介绍,对作者和作品产生的社会背景进行简要描述。第二章是本论文的重点,通过对四个主题音高材料的分析、发展手法、与戏剧的关联及应用、主要唱段的汇总、主题之间的联系来阐述音乐主题的贯穿。第三章通过对调性、唱段的分析与和声在戏剧表现中的特征来表述音响效果的特点,从横向的旋律特点和纵向的和声特征两个维度进行整体分析。第四章是曲式结构的宏观和微观分析,将音乐段落进行了分类归纳,运用结构力的理论对整部剧的音乐结构的关联性进行了分析,总结出了整体结构特征。第五章通过对配器的分析,介绍了 “简约化”的乐队编配形式与戏剧表现的关联,在第二节分析了人声音色、演唱形式与戏剧表现的关系。
[Abstract]:Steven Sandheim (Stephen Sondheim) (March 22, 1930) is a famous American composer of musicals, the originator of Conceptual Musical. "into the Forest" is the masterpiece of Sandheim, whose creative idea had a profound influence on American Broadway in the late 1980s, and the creation of music was especially outstanding. From the historical point of view, this paper expounds the historical background of American Broadway theater in the late 20th century, and leads to the social environment in which the concept musical came into being, so as to make an analysis of musical music creation in the musical "into the Forest". The research on Sandheim and concept musical has been carried out in foreign countries, but it is still in the initial stage in China, which is different from his historical position and the influence of the creation and development of concept musical. At present, the musicals of our country are still based on screenplay musicals, telling a complete story to the audience, which is generally the sequence of "beginning, developing, upsurge and ending". Concept musicals give prominence to the ideas and gist the creators want to express, and the unfolding of events is centered on them, but this is not the same as giving up the logic of the development of the story altogether. Sandheim is regarded as the synonym of concept musical. His creative idea is advanced and has experimental color, which has great enlightening significance to the musical creation which is still in its infancy in our country. The relevance of musical structure, such as theme running through, the development of the use of musical music creation needs to learn. The composer endowed the musical with a moving artistic color by means of the expressive features of the concept musical. This paper tries to analyze the relationship between music and drama through the analysis of musical (Into the Woods) from the perspective of musical creation. This paper is divided into five chapters: the first chapter gives a brief introduction to the growing environment of Sandheim, the origin of the concept musical and the origin of the concept musical, the history of development, and the social background of the author and the production of the work. The second chapter is the focus of this paper, through the analysis of the four themes pitch materials, development techniques, the relevance and application of the drama, the collection of the main choreography, the relationship between the themes to elaborate the theme of music through. The third chapter describes the characteristics of sound effects through the analysis of tonality, choir and the characteristics of harmony in drama performance, from the horizontal melody characteristics and vertical harmony characteristics of the two dimensions to analyze the whole. The fourth chapter is the macro and micro analysis of the musical structure. The music paragraphs are classified and summarized. The relevance of the musical structure of the whole play is analyzed by using the theory of structural force, and the overall structural characteristics are summed up. The fifth chapter introduces the relationship between the form of band arrangement and the performance of drama through the analysis of orchestration. In the second section, it analyzes the relationship between human voice color, singing form and drama performance.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2
本文编号：2300186
[Abstract]:Steven Sandheim (Stephen Sondheim) (March 22, 1930) is a famous American composer of musicals, the originator of Conceptual Musical. "into the Forest" is the masterpiece of Sandheim, whose creative idea had a profound influence on American Broadway in the late 1980s, and the creation of music was especially outstanding. From the historical point of view, this paper expounds the historical background of American Broadway theater in the late 20th century, and leads to the social environment in which the concept musical came into being, so as to make an analysis of musical music creation in the musical "into the Forest". The research on Sandheim and concept musical has been carried out in foreign countries, but it is still in the initial stage in China, which is different from his historical position and the influence of the creation and development of concept musical. At present, the musicals of our country are still based on screenplay musicals, telling a complete story to the audience, which is generally the sequence of "beginning, developing, upsurge and ending". Concept musicals give prominence to the ideas and gist the creators want to express, and the unfolding of events is centered on them, but this is not the same as giving up the logic of the development of the story altogether. Sandheim is regarded as the synonym of concept musical. His creative idea is advanced and has experimental color, which has great enlightening significance to the musical creation which is still in its infancy in our country. The relevance of musical structure, such as theme running through, the development of the use of musical music creation needs to learn. The composer endowed the musical with a moving artistic color by means of the expressive features of the concept musical. This paper tries to analyze the relationship between music and drama through the analysis of musical (Into the Woods) from the perspective of musical creation. This paper is divided into five chapters: the first chapter gives a brief introduction to the growing environment of Sandheim, the origin of the concept musical and the origin of the concept musical, the history of development, and the social background of the author and the production of the work. The second chapter is the focus of this paper, through the analysis of the four themes pitch materials, development techniques, the relevance and application of the drama, the collection of the main choreography, the relationship between the themes to elaborate the theme of music through. The third chapter describes the characteristics of sound effects through the analysis of tonality, choir and the characteristics of harmony in drama performance, from the horizontal melody characteristics and vertical harmony characteristics of the two dimensions to analyze the whole. The fourth chapter is the macro and micro analysis of the musical structure. The music paragraphs are classified and summarized. The relevance of the musical structure of the whole play is analyzed by using the theory of structural force, and the overall structural characteristics are summed up. The fifth chapter introduces the relationship between the form of band arrangement and the performance of drama through the analysis of orchestration. In the second section, it analyzes the relationship between human voice color, singing form and drama performance.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2
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