明代过锦戏的种属、形态与规模辨析
发布时间：2018-11-05 09:27
【摘要】：过锦戏是明代一种宫廷杂戏的专称,以滑稽逗乐、精彩热闹为表演目的,在继承宋金杂剧的基础上有所发展,主要体现在表演人数增加到十余人,品种更加丰富,有约百回的独立成章的段子,可分可合。它由真人扮饰表演,既不是影戏,也不是木偶戏,更没有过锦水嬉或水嬉过锦的品类。其形态是混杂的,不同于单一的杂扮、北杂剧、院本,主要包含了院本和杂耍把戏两大类。就演出规模而言,其形制短小、风格谐谑、情节简单,个体上属于小戏,不同段子合演则属于小戏群。
[Abstract]:Yujin Opera is a special name for a kind of palace miscellaneous drama in the Ming Dynasty. It has developed on the basis of inheriting the Song and Jin Dynasty dramas with the purpose of making funny jokes and exciting activities. This is mainly reflected in the increase in the number of performers to more than a dozen people, and the variety is even richer. There are about a hundred chapters of the separate chapters, can be divided and combined. It is performed by a real person, neither a movie nor a puppet show, nor a variety of brocade play or play. Its form is mixed, different from single miscellaneous play, North Zaju, Yuan Ben, mainly including Yuan Ben and juggling tricks. In terms of performance scale, its shape is short, its style is banter, the plot is simple, the individual belongs to the small play, and the different parts of the performance belong to the small group.
【作者单位】： 安徽师范大学中国诗学研究中心;
【基金】：国家社会科学基金项目“中国古代咏剧诗歌整理与研究”(项目编号13BZW103)阶段性成果
【分类号】：J809.2
本文编号：2311640
[Abstract]:Yujin Opera is a special name for a kind of palace miscellaneous drama in the Ming Dynasty. It has developed on the basis of inheriting the Song and Jin Dynasty dramas with the purpose of making funny jokes and exciting activities. This is mainly reflected in the increase in the number of performers to more than a dozen people, and the variety is even richer. There are about a hundred chapters of the separate chapters, can be divided and combined. It is performed by a real person, neither a movie nor a puppet show, nor a variety of brocade play or play. Its form is mixed, different from single miscellaneous play, North Zaju, Yuan Ben, mainly including Yuan Ben and juggling tricks. In terms of performance scale, its shape is short, its style is banter, the plot is simple, the individual belongs to the small play, and the different parts of the performance belong to the small group.
【作者单位】： 安徽师范大学中国诗学研究中心;
【基金】：国家社会科学基金项目“中国古代咏剧诗歌整理与研究”(项目编号13BZW103)阶段性成果
【分类号】：J809.2
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