“西潮东渐”与“原创焦虑”——新世纪中国话剧演出望
发布时间：2018-11-05 09:17
【摘要】：21世纪以来,中国话剧演出市场十分繁荣。大量外国原版话剧通过各种艺术节或邀请展被引进国内,中国本土的经典剧作、商业剧作、校园戏剧等不断被搬上舞台,非主流话剧也在困顿与坚守中默默前行。新时期的话剧演出市场喧嚣而热闹,但在这背后难掩优秀原创作品缺乏的现实。
[Abstract]:Since the 21 st century, Chinese drama performance market is very prosperous. A large number of foreign original plays have been introduced into China through various art festivals or invitation exhibitions. Chinese local classical plays, commercial plays, campus plays, etc., have been constantly brought on stage, and non-mainstream plays are also quietly moving forward in the midst of difficulties and persistence. In the new era, the drama market is noisy and lively, but it is difficult to hide the lack of outstanding original works behind it.
【作者单位】： 山东艺术学院戏剧影视学院;
【分类号】：J824
本文编号：2311617
[Abstract]:Since the 21 st century, Chinese drama performance market is very prosperous. A large number of foreign original plays have been introduced into China through various art festivals or invitation exhibitions. Chinese local classical plays, commercial plays, campus plays, etc., have been constantly brought on stage, and non-mainstream plays are also quietly moving forward in the midst of difficulties and persistence. In the new era, the drama market is noisy and lively, but it is difficult to hide the lack of outstanding original works behind it.
【作者单位】： 山东艺术学院戏剧影视学院;
【分类号】：J824
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【共引文献】
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1 朱玉宁;;“西潮东渐”与“原创焦虑”——新世纪中国话剧演出望[J];戏剧文学;2017年07期
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1 董健;论中国现代戏剧“两度西潮”的同与异[J];戏剧艺术;1994年02期
，本文编号：2311617
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