禁毁视野下官方控制与民间演剧的“潜在性”调停——以清末民初为时限
发布时间：2018-11-21 16:37
【摘要】：戏剧禁毁是戏剧艺术的伴生现象。官方出于更为有效的管控与治理目的,往往对戏剧演出进行禁毁,尤其是对民间演剧,无论是演出时间、地点,还是演出形态、剧种,甚至是演出剧目,都要进行删选与禁毁,由此形成民间演剧严苛的生存环境。然而,由于官方控制的松弛与民间戏班、艺人的抗争立场及其所采取的积极应对策略,从而使二者之间存在着一种"潜在性"调停,这对民间演剧顺利度过禁毁"严冬"并获得长足发展,具有至关重要的作用。
[Abstract]:The prohibition of drama is an accompanying phenomenon of dramatic art. For the purpose of more effective control and management, officials often ban and destroy theatrical performances, especially for folk performances, whether they are performed in time, place, form, variety, or even performance repertoire. From this, the formation of folk drama harsh living environment. However, due to the relaxation of official control and folk troupe, the artist's stand of resistance and the active coping strategy adopted, there is a kind of "potential" mediation between the two. This plays a vital role in the successful passage of the forbidden winter and the rapid development of folk dramas.
【作者单位】： 山西师范大学戏剧与影视学院;
【基金】：国家社会科学基金艺术学青年项目“中国戏曲文化中的‘禁忌’现象研究”(项目编号:11CB084) 山西省人文社科重点研究基地项目“山西方志戏曲文献整理与研究”(项目编号:2012320)的阶段性成果
【分类号】：J809.2
，
本文编号：2347548
[Abstract]:The prohibition of drama is an accompanying phenomenon of dramatic art. For the purpose of more effective control and management, officials often ban and destroy theatrical performances, especially for folk performances, whether they are performed in time, place, form, variety, or even performance repertoire. From this, the formation of folk drama harsh living environment. However, due to the relaxation of official control and folk troupe, the artist's stand of resistance and the active coping strategy adopted, there is a kind of "potential" mediation between the two. This plays a vital role in the successful passage of the forbidden winter and the rapid development of folk dramas.
【作者单位】： 山西师范大学戏剧与影视学院;
【基金】：国家社会科学基金艺术学青年项目“中国戏曲文化中的‘禁忌’现象研究”(项目编号:11CB084) 山西省人文社科重点研究基地项目“山西方志戏曲文献整理与研究”(项目编号:2012320)的阶段性成果
【分类号】：J809.2
，
本文编号：2347548
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