审美文化视域下的秦腔传统剧研究

发布时间：2018-12-08 15:48

【摘要】：本文以秦腔传统剧为研究对象,运用审美文化学、文艺心理学、接受美学等方法分四部分来阐释研究。第一部分主要对秦腔传统剧进行界定和分类,进而梳理其发展历程和研究现状。第二部分和第三部分分别在壮美和优美这一对中国古典美学范畴之上展开分析研究。首先对壮美和优美加以界定,接着从审美文本、审美创作、审美接受三个角度来分析秦腔传统剧壮美的内涵和优美的形式,揭示出创作主体所处的地域环境、时代社会因素等对其作品所呈现出的壮美风格产生的影响。同时,接受群体及其审美认同、审美水平、期待视野等因素决定了观众对秦腔传统剧认同的程度。第四部分反思了秦腔传统剧的生存现状及其存在的问题,寻找多元文化背景下,秦腔传统剧的生存发展之路,提出合理可行的改革发展应对策略。目前,关于秦腔研究的论文和著作多见,但着眼秦腔传统剧全面系统的研究却不多,说明其研究不充分,而从审美文化这一视角来分析秦腔传统剧的论著和文章鲜见,所以本文是一次大胆的尝试与探索,旨在更好保护秦腔艺术这一非物质文化遗产,提高现代秦腔剧目创作、传播与接受。
[Abstract]:This article takes the Qin Opera as the research object, uses the esthetic culture science, the literature psychology, the reception esthetics and so on the method and so on divides four parts to explain the research. The first part mainly defines and classifies the traditional drama of Qin Opera, and then combs its development course and research status. The second part and the third part carry out the analysis and research on the category of magnificent beauty and beauty respectively on the category of Chinese classical aesthetics. First of all, it defines beauty and beauty, then analyzes the connotation and beautiful form of Qin Opera from three angles of aesthetic text, aesthetic creation and aesthetic acceptance, and reveals the regional environment in which the creative subject is located. The influence of social factors on the magnificent style of his works. At the same time, the acceptance group and its aesthetic identity, aesthetic level, expectation vision and other factors determine the audience's acceptance of the traditional Qin Opera. The fourth part reflects on the existing situation and existing problems of the traditional drama of Qin Opera, looks for the way of the survival and development of the traditional drama of Qin Opera under the multicultural background, and puts forward the reasonable and feasible countermeasures for the reform and development of the traditional drama of Qin Opera. At present, there are many papers and works on the study of Qin Opera, but there are few studies on the comprehensive and systematic study of the traditional drama of Qin Opera, which shows that the study is not sufficient. However, it is rare to analyze the works and articles of the traditional drama of Qin Opera from the perspective of aesthetic culture. Therefore, this paper is a bold attempt and exploration to better protect the intangible cultural heritage of Qin Opera art, and to improve the creation, dissemination and acceptance of modern Qin Opera repertoire.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J825

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