解读“张曼君现象”——从第十一届中国艺术节张曼君现代戏谈起

发布时间：2018-12-09 20:44

【摘要】：张曼君是当今戏剧界的翘楚,更是"新世纪杰出导演"中迄今为止唯一女性。随着近几年她的作品越来越引起关注,"张曼君现象"已然成立,而"张曼君样式"也越来越引起我们的探讨。可以说,"张曼君样式"是与现代戏样式息息相关的,同时也与符合现代人心灵的现代戏曲息息相关。戏曲需要跟上时代,而采取什么手段,如何把握"正"与"变"的关系,如何理解歌舞叙事,如何处理表演与舞美的关系,是每一位当代戏曲导演需要思考的,张曼君在用自己的创造力探索。本文以张曼君作品的Qg容、形式为视角分析了张曼君在现代戏中的诸多创新,并提出了她在创新探索中所面临的三个可能过度的倾向。
[Abstract]:Zhang Manjun is the leading actor in the theatrical field and the only woman in the New Century Outstanding Director. With the increasing attention paid to her works in recent years, the Zhang Manjun phenomenon has been established, and the style of Zhang Manjun has been more and more discussed. It can be said that Zhang Manjun style is closely related to modern opera style and modern opera which accords with modern spirit. Opera needs to keep up with the times, and how to take measures, how to grasp the relationship between "positive" and "change", how to understand the narrative of song and dance, how to deal with the relationship between performance and dance beauty, is what every contemporary opera director needs to think about. Zhang Manjun is using his creativity to explore. In this paper, from the perspective of Zhang Manjun's Qg form, the author analyzes a lot of innovations in modern drama, and puts forward three possible excessive tendencies that she faces in the exploration of innovation.
【作者单位】：中国艺术研究院戏曲所;
【分类号】：J892

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