歌剧《费加罗的婚礼》中费加罗独唱唱段的音乐分析及演唱处理
发布时间：2018-12-10 09:31
【摘要】：歌剧《费加罗的婚礼》是目前国内外最经常上演的剧目之一,在世界歌剧史上的重要地位不言而喻,其经典性毋庸置疑。莫扎特以其超凡的音乐天才,实现了音乐、剧本、语言的完美融合,通过对剧中人物内心世界惟妙惟肖的刻画,使其生动无比地映入观众的眼帘。塑造好费加罗这一经典角色,除了参考优秀版本,寻找角色共通性之外,还需演绎者个人的处理加工。而咏叹调是歌剧当中人物内心深处的独白,也是角色的音乐标识。因此,对于演唱者而言,做好所演绎唱段及角色的案头分析工作显得尤为重要,特别是对经典歌剧角色的演绎,更应当有个人的见解及阐释。 本文通过对莫扎特歌剧《费加罗的婚礼》中三首费加罗的咏叹调：《如果你想跳舞》、《你再不要去做情郎》、《睁开你们的眼睛》进行音乐本体分析,根据角色内心情感的发展变化,结合笔者对费加罗一角的演唱实践,对相应段落的演唱处理提出个人的观点,实现对费加罗角色的整体把握。
[Abstract]:Opera "Figaro's Wedding" is one of the most frequently performed plays at home and abroad at present. It plays an important role in the history of opera in the world, and its classicality is beyond doubt. Mozart, with his extraordinary musical genius, realized the perfect fusion of music, script and language. Through the vivid portrayal of the inner world of the characters in the play, Mozart made it vividly come into the eyes of the audience. In order to make Figaro a good character, we should not only refer to the excellent version and look for the commonality of the character, but also need the personal processing of the deductor. Aria is the soliloquy of the characters in opera, and it is also the musical symbol of the characters. Therefore, for the singer, it is very important to do the desk analysis of the performed verses and roles, especially for the classic opera characters, which should have personal views and explanations. This paper analyzes the music ontology of three Figaro arias in Mozart's opera, the Wedding of Figaro: "if you want to dance", "Don't be a lover again", "Open your eyes". According to the development and change of the role's inner emotion and the author's singing practice of Figaro, the author puts forward the personal view on the corresponding paragraph's singing treatment, and realizes the overall grasp of Figaro's role.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J617.2
本文编号：2370355
[Abstract]:Opera "Figaro's Wedding" is one of the most frequently performed plays at home and abroad at present. It plays an important role in the history of opera in the world, and its classicality is beyond doubt. Mozart, with his extraordinary musical genius, realized the perfect fusion of music, script and language. Through the vivid portrayal of the inner world of the characters in the play, Mozart made it vividly come into the eyes of the audience. In order to make Figaro a good character, we should not only refer to the excellent version and look for the commonality of the character, but also need the personal processing of the deductor. Aria is the soliloquy of the characters in opera, and it is also the musical symbol of the characters. Therefore, for the singer, it is very important to do the desk analysis of the performed verses and roles, especially for the classic opera characters, which should have personal views and explanations. This paper analyzes the music ontology of three Figaro arias in Mozart's opera, the Wedding of Figaro: "if you want to dance", "Don't be a lover again", "Open your eyes". According to the development and change of the role's inner emotion and the author's singing practice of Figaro, the author puts forward the personal view on the corresponding paragraph's singing treatment, and realizes the overall grasp of Figaro's role.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J617.2
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