蒙特威尔第《坦克雷迪与克劳琳达之争》的音乐学分析
发布时间：2018-12-11 08:49
【摘要】：蒙特威尔第是欧洲著名的作曲家,他是连接文艺复兴时期与巴洛克时期音乐风格的桥梁。在所有的音乐体裁中,牧歌的创作横亘了他的一生,最能体现出他完整的创作风格演变,他中晚期的牧歌风格更为现代化,尤其是第八卷牧歌集,在声乐和器乐的设置上都独具匠心,节奏运用的更加随心所欲,旋律上呈现出新颖的片段式。其中《坦克雷迪与克劳琳达之争》这首牧歌更是以其特有的“激动风格”闻名于世,为作曲家无数优秀的牧歌创作又添上了光辉的一笔。这部牧歌在美学上完美的呈现出蒙特威尔第“第二实践”理论,以在“歌词与音乐的关系”方面诠释的更为出色。它借用了音乐修辞法中的各种技巧,结合当时在巴洛克时期的情感论美学和理性主义思潮,使这部作品成为一部具有极高美学价值的精品。 全文分为：绪论,主要阐述论文选题的意义、研究方法和国内外研究现状；第一部分主要介绍了意大利牧歌的起源和发展历程以及各时期的风格特点,并对蒙特威尔第的牧歌创作进行概述；第二部分为本论文的重点,对《坦克雷迪与克劳琳达之争》这部作品的内容、演出状况以及本体分析进行了细致的描述；第三部分探讨了《坦克雷迪与克劳琳达之争》这部作品中隐含的“第二实践”思想以及蒙特威尔第的美学理论的形成依据。结语部分对全文主旨进行了宏观简明的综述。
[Abstract]:Monteverdi is a famous European composer, he is the bridge between Renaissance and Baroque music style. Among all the musical genres, the creation of pastoral songs has lasted his life, which can best reflect the evolution of his complete writing style. His late and middle pastoral style is more modern, especially the eighth volume of the collection of pastoral songs. The setting of vocal music and instrumental music are original, rhythm is more arbitrary, melody presents a novel fragment. Among them, the contention between Tancredi and Clarinda is also famous for its unique "exciting style", which has added a glorious stroke to countless outstanding pastoral compositions of composers. The pastoral song is aesthetically perfect and presents Monteverdi's second practice theory in order to better interpret the relationship between lyrics and music. It borrows all kinds of techniques from musical rhetoric and combines the emotional aesthetics and rationalism of Baroque at that time to make this work a masterpiece with high aesthetic value. The full text is divided into: introduction, mainly expounds the significance of the topic of the thesis, research methods and domestic and foreign research status; The first part mainly introduces the origin and development of Italian pastoral songs, as well as the style characteristics of each period, and summarizes Monteverdi's pastoral creation. The second part is the emphases of this thesis, which describes the content, performance and ontology analysis of Tancredi and Crawlinda in detail. In the third part, the author discusses the thought of "second practice" and the basis of Monte Verdi's aesthetic theory. The conclusion part gives a brief summary of the whole text.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J832
本文编号：2372259
[Abstract]:Monteverdi is a famous European composer, he is the bridge between Renaissance and Baroque music style. Among all the musical genres, the creation of pastoral songs has lasted his life, which can best reflect the evolution of his complete writing style. His late and middle pastoral style is more modern, especially the eighth volume of the collection of pastoral songs. The setting of vocal music and instrumental music are original, rhythm is more arbitrary, melody presents a novel fragment. Among them, the contention between Tancredi and Clarinda is also famous for its unique "exciting style", which has added a glorious stroke to countless outstanding pastoral compositions of composers. The pastoral song is aesthetically perfect and presents Monteverdi's second practice theory in order to better interpret the relationship between lyrics and music. It borrows all kinds of techniques from musical rhetoric and combines the emotional aesthetics and rationalism of Baroque at that time to make this work a masterpiece with high aesthetic value. The full text is divided into: introduction, mainly expounds the significance of the topic of the thesis, research methods and domestic and foreign research status; The first part mainly introduces the origin and development of Italian pastoral songs, as well as the style characteristics of each period, and summarizes Monteverdi's pastoral creation. The second part is the emphases of this thesis, which describes the content, performance and ontology analysis of Tancredi and Crawlinda in detail. In the third part, the author discusses the thought of "second practice" and the basis of Monte Verdi's aesthetic theory. The conclusion part gives a brief summary of the whole text.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J832
【参考文献】
相关期刊论文 前1条
1 赵海;巴洛克时期的“音乐修辞学”及其蕴涵的美学理念[J];中央音乐学院学报;1999年04期
，本文编号：2372259
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