探析东北民俗文化对二人转的影响
[Abstract]:From the perspective of folklore, this paper briefly analyzes the influence of the folk culture in Northeast China on the birth and development of Errenzhuan. After a great deal of data collection and field investigation, the folklore cultural elements in Errenhuan are taken as the object of study, and the folklore cultural items reflected by Errenhuan are sorted out, summarized and analyzed. This article is based on the introduction, the historical origin and spread of the Northeast Errenhuan, the cultural characteristics of the Northeast region, the influence of the folk life of the Northeast on the formation of the performance characteristics of the Errenhuan. The influence of Northeast folklore culture on the characteristics of Errenhuan text and the conclusion are composed of six parts. In the introduction, it expounds the academic value and research prospect of Errenzhuan from the cultural point of view. In the first chapter, the author introduces the historical origin and development of the Northeast Errenhuan from three aspects: the historical origin, the art development stage and the aesthetic characteristics of the Northeast Errenhuan. Summarized the three aesthetic characteristics of Errenzhuan; That is, the nature of "earth" and "wild", the collision between "elegance" and "vulgarity", and the interweaving of "ugliness" and "beauty". In the second chapter, the author mainly evaluates the influence of the Northeast regional culture and the Northeast people's aesthetic value on the performance characteristics and singing lyrics. In the third chapter, the author analyzes the influence of the folk life of Northeast China on the performance form of Errenxun. The fourth chapter focuses on the analysis of the impact of the excellent folk custom Wenhu on the characteristics of the text, summed up and summed up the Northeast Shaman jump spirit culture, The relationship between Niuheliang Goddess's sacrament ceremony and the mode of "Women Love Men" in the folk stories of Northeast China. In the last part of the article, which is the conclusion, the author summarizes the protection of the traditional art of Errenzhuan, introduces the current situation of the protection of the art of Errenzhuan, and analyzes the prospect of the protection of the art of Errenzhuan. Some suggestions on the protection of traditional art in the future are put forward.
【学位授予单位】:哈尔滨师范大学
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:J825
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