永康鼓词的艺术形态及生存现状考述
发布时间：2018-12-15 04:21
【摘要】： 永康鼓词是浙中地区重要而又独特的曲艺形式。但由于历史和现实的种种原因,一直没有进入“文化”的视野和“知识”的体系。几乎所有的工具书包括专业著述,都没有对其进行相应的介绍,但其在当地人的精神文化生活中却发挥着多重的作用,又在现代化的大潮中面临着生存与发展的困境。为改变这种状况,急需从学理层面对其价值作必要的考察与观照。本文从曲艺学的立场出发,结合民族音乐学“田野调查”的方法,将作为一种艺术存在和文化现象的永康鼓词,置入更为广阔的历史视野与现实情境,给予跨学科(曲艺学、音乐学、民俗学、社会学、遗产学)、全方位和多视角(历史的、形态的、发展的)的探讨。具体来说,在相关文献资料搜集梳理与考证厘清的基础上,对永康鼓词的历史渊源、艺术形式及现存状况加以全面综合的描述与考察,并对永康鼓词的音乐本体进行观察与分析。同时,对永康鼓词在当下遭遇的生存困境,进行一些思考,并根据其自身的艺术特点,对在今后的发展提出一些思考和建议。
[Abstract]:Yongkang Drum ci is an important and unique form of quyi in central Zhejiang. However, for various reasons of history and reality, it has not entered the vision of culture and the system of knowledge. Almost all reference books, including professional works, have not been introduced, but they play a more important role in the spiritual and cultural life of the local people, and face the dilemma of survival and development in the tide of modernization. In order to change this situation, it is urgent to examine its value from the theoretical level. From the standpoint of quyi art and the method of "field investigation" in ethnomusicology, this paper will put the Yongkang Drum ci as a kind of artistic existence and cultural phenomenon into a broader historical field of vision and realistic situation. Musicology, folklore, sociology, heritage studies, all-round and multi-perspective (historical, morphological, developmental) discussion. Specifically, on the basis of relevant literature collection and textual research, the historical origin, artistic form and existing situation of Yongkang Drum ci are described and investigated comprehensively and synthetically. And to Yongkang drum ci music Noumenon of observation and analysis. At the same time, to Yongkang Drum ci in the present survival dilemma, some thinking, and according to its own artistic characteristics, put forward some thoughts and suggestions for the future development.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J826
本文编号：2379961
[Abstract]:Yongkang Drum ci is an important and unique form of quyi in central Zhejiang. However, for various reasons of history and reality, it has not entered the vision of culture and the system of knowledge. Almost all reference books, including professional works, have not been introduced, but they play a more important role in the spiritual and cultural life of the local people, and face the dilemma of survival and development in the tide of modernization. In order to change this situation, it is urgent to examine its value from the theoretical level. From the standpoint of quyi art and the method of "field investigation" in ethnomusicology, this paper will put the Yongkang Drum ci as a kind of artistic existence and cultural phenomenon into a broader historical field of vision and realistic situation. Musicology, folklore, sociology, heritage studies, all-round and multi-perspective (historical, morphological, developmental) discussion. Specifically, on the basis of relevant literature collection and textual research, the historical origin, artistic form and existing situation of Yongkang Drum ci are described and investigated comprehensively and synthetically. And to Yongkang drum ci music Noumenon of observation and analysis. At the same time, to Yongkang Drum ci in the present survival dilemma, some thinking, and according to its own artistic characteristics, put forward some thoughts and suggestions for the future development.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J826
【引证文献】
相关期刊论文 前1条
1 刘秀峰;;演唱的力量——浙南鼓词《陈十四夫人传》颂唱仪式调查[J];广西民族大学学报(哲学社会科学版);2012年01期
，本文编号：2379961
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