浅论中国歌剧中的男高音声部
发布时间：2018-12-18 01:16
【摘要】： 歌剧艺术是一门融合了音乐、戏剧、文学、舞蹈、舞美等多种艺术形态、元素的综合型艺术体裁,产生于文艺复兴时期的意大利。而中国歌剧的诞生是在上个世纪的20年代,至今也已逾百年。在中国歌剧的发展历程中,有过几次高潮,也经历过不少挫折。在不同的发展阶段,中国歌剧有着与时代相适应的不同的艺术特征。大量歌剧作品的创作产生,虽然在质量上良莠不齐,但总归为中国歌剧艺术的成长做出了有益的探索,并为日后歌剧艺术在中国的发展奠定了坚实的基础。 本文着重于中国歌剧中的男高音声部,作为一名专业的男高音声部的声乐学习者,本人试图通过自身学习、演唱实践中的心得体会,就中国歌剧中的男高音声部的定位、塑造进行分析、研究,并在技术和文化层面对男高音声部做一个剖析和归纳。 男高音声部作为歌剧中重要的一部分,应该受到大家更多的关注,但关于它的在中国歌剧中的角色塑造、定位与发展,国内相关的研究与论述还较少,本人寄以通过自身的艺术实践和认识,通过本篇文章的论述以及对两部经典中国歌剧作品中的几个唱段的分析,对中国歌剧中男高音声部的发展提出一些有益的观点和建议供大家参考。
[Abstract]:Opera art is a comprehensive art genre that combines music, drama, literature, dance, dance and other artistic forms and elements, which originated in Italy during the Renaissance. The birth of Chinese opera in the 20 s of the last century, has been more than 100 years. In the development of Chinese opera, there have been several climaxes, but also experienced a lot of setbacks. At different stages of development, Chinese opera has different artistic characteristics adapted to the times. The creation of a large number of opera works, although the quality of the mixed, but always for the growth of Chinese opera art to make a useful exploration, and for the future development of opera art in China laid a solid foundation. This paper focuses on the tenor part in Chinese opera. As a professional vocal music learner of tenor part, I try to position the tenor part in Chinese opera through my own study and experience in singing practice. Molding analysis, research, and in the technical and cultural aspects of the tenor to do an analysis and induction. Tenor, as an important part of opera, should be paid more attention to, but there are few researches and discussions about its role in Chinese opera. Through my own art practice and understanding, through the discussion of this article and the analysis of several passages in the two classic Chinese opera works, Some useful views and suggestions on the development of tenor in Chinese opera are put forward for your reference.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J822
本文编号：2385069
[Abstract]:Opera art is a comprehensive art genre that combines music, drama, literature, dance, dance and other artistic forms and elements, which originated in Italy during the Renaissance. The birth of Chinese opera in the 20 s of the last century, has been more than 100 years. In the development of Chinese opera, there have been several climaxes, but also experienced a lot of setbacks. At different stages of development, Chinese opera has different artistic characteristics adapted to the times. The creation of a large number of opera works, although the quality of the mixed, but always for the growth of Chinese opera art to make a useful exploration, and for the future development of opera art in China laid a solid foundation. This paper focuses on the tenor part in Chinese opera. As a professional vocal music learner of tenor part, I try to position the tenor part in Chinese opera through my own study and experience in singing practice. Molding analysis, research, and in the technical and cultural aspects of the tenor to do an analysis and induction. Tenor, as an important part of opera, should be paid more attention to, but there are few researches and discussions about its role in Chinese opera. Through my own art practice and understanding, through the discussion of this article and the analysis of several passages in the two classic Chinese opera works, Some useful views and suggestions on the development of tenor in Chinese opera are put forward for your reference.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J822
【引证文献】
相关硕士学位论文 前1条
1 杨叶宏;中西文化融合视角下的歌剧《秦始皇》研究[D];新疆师范大学;2011年
，本文编号：2385069
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