论藏戏艺术对西藏题材油画创作的借鉴意义
发布时间：2018-12-30 10:23
【摘要】：藏戏作为一种地域文化，其艺术形式发展成熟，自成体系，艺术风格强烈鲜明而又独特，具有极强的综合之美，它虽然依附于宗教精神，但并不完全以颂神和宣教为目的。在发展的过程中不断融入民族的情感与美学思想，包括其所处的自然、社会环境也对其发展产生了深刻的影响。它广博的精神内涵和优美、夸张、富有程式化的艺术形式丰富了藏民族的精神生活，，影响并促进了藏族传统绘画的发展，自二十世纪以来，在中国油画艺术民族化的过程中，对西藏题材油画也开始产生影响。本文拟从藏戏的精神内涵、审美特征和造型元素三方面来进行讨论，以揭示其虽然古老却仍然具有强大生命力和艺术感染力的原因。特别是对它那古老完整而又具有民族特色的面具艺术、富有形式美感的服饰，以及独特的色彩体系，加以分析研究，从而为西藏题材油画艺术创作提供借鉴，最后就油画艺术如何向藏戏艺术借鉴学习谈谈自身的看法。
[Abstract]:As a kind of regional culture, Tibetan opera has a mature art form, its own system, strong and distinctive artistic style and strong comprehensive beauty. Although it is attached to the religious spirit, it is not entirely for the purpose of praising God and preaching. In the process of development, the national emotion and aesthetic thought, including its nature, are constantly integrated into the process of development, and the social environment also has a profound impact on its development. Its broad spiritual connotation and graceful, exaggerated and stylized art forms have enriched the spiritual life of the Tibetan people, influenced and promoted the development of Tibetan traditional painting, and since the 20th century, in the process of nationalization of Chinese oil painting art, To Tibet subject matter oil painting also began to produce the influence. This paper discusses the spiritual connotation, aesthetic characteristics and styling elements of Tibetan opera in order to reveal the reason why Tibetan opera still has strong vitality and artistic appeal although it is ancient. In particular, it has analyzed and studied its ancient and complete mask art with national characteristics, the costumes full of formal beauty, and its unique color system, so as to provide a reference for the artistic creation of Tibetan oil paintings. Finally, the oil painting art how to learn from the Tibetan opera art to talk about their own views.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825
本文编号：2395444
[Abstract]:As a kind of regional culture, Tibetan opera has a mature art form, its own system, strong and distinctive artistic style and strong comprehensive beauty. Although it is attached to the religious spirit, it is not entirely for the purpose of praising God and preaching. In the process of development, the national emotion and aesthetic thought, including its nature, are constantly integrated into the process of development, and the social environment also has a profound impact on its development. Its broad spiritual connotation and graceful, exaggerated and stylized art forms have enriched the spiritual life of the Tibetan people, influenced and promoted the development of Tibetan traditional painting, and since the 20th century, in the process of nationalization of Chinese oil painting art, To Tibet subject matter oil painting also began to produce the influence. This paper discusses the spiritual connotation, aesthetic characteristics and styling elements of Tibetan opera in order to reveal the reason why Tibetan opera still has strong vitality and artistic appeal although it is ancient. In particular, it has analyzed and studied its ancient and complete mask art with national characteristics, the costumes full of formal beauty, and its unique color system, so as to provide a reference for the artistic creation of Tibetan oil paintings. Finally, the oil painting art how to learn from the Tibetan opera art to talk about their own views.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J825
【参考文献】
相关期刊论文 前3条
1 潘世勋;;我画西藏50年[J];美术;2008年06期
2 李焕民;;不仅要“说事”也要“说美”[J];美术;2008年06期
3 李昌菊;;雪域高原的民族写照——油画本土化历程中的西藏题材[J];美术;2008年06期
本文编号：2395444
本文链接：https://www.wllwen.com/wenyilunwen/xijuwudaolunwen/2395444.html
