赖声川戏剧舞美的艺术特征与审美效果探析

发布时间：2019-01-20 20:03

【摘要】：赖声川作为华语剧坛的知名导演,从1984年至今执导了三十余部作品,吸引万千观众走进剧场。赖声川独特的即兴创作法和东西融合的戏剧理念使其作品独具一格,同时,其创作手法和导演理念也在舞台美术中得以体现。舞台美术作为赖声川戏剧的有机构成部分,有其功用和价值,它不仅是一种重要的艺术语言,更是赖声川艺术风格与特色的标记。本文在观看赖声川的戏剧演出和梳理相关研究资料的基础上,探析赖声川戏剧舞美的形成、发展、艺术特征及审美效果并分析了赖声川戏剧舞美为现代戏剧舞美带来的启示。绪论部分主要阐明本文的研究目的、研究方法和研究难点,对本文涉及的相关概念进行界定,同时也对赖声川戏剧舞美和当代戏剧舞美的研究进行文献综述。本文在文献资料整理和现场观演基础上,归纳赖声川戏剧舞美的艺术特征,分析他戏剧舞美的审美功效。第一章概述赖声川生平和戏剧创作之路,分析赖声川成长和求学经历对其创作的影响。第二章按戏剧舞美的艺术风格类型,将赖声川的戏剧舞美分为现实主义、现代主义和后现代主义三种风格,并分析赖声川这三种艺术风格类型的舞美的形成背景、表现形式,论述赖声川戏剧舞美在这三种风格中呈现出来的具体艺术特征。第三章分析道具、灯光、多媒体与空间等舞美因素在赖声川戏剧中的审美效果,并从观众和市场的角度分析舞美在其戏剧中产生的积极作用,阐明舞美在赖声川戏剧中的重要性。第四章从舞美的发展趋势、赖声川的创作语境和观众的角度探讨影响赖声川舞美创作的主要因素,同时也从导演参与、跨界合作和对商业化的取舍等方面分析赖声川戏剧舞美给当代戏剧舞美带来的启示。论文的结语部分归纳总结出了赖声川戏剧舞美的发展与他的创作理念、创作团队和观众审美的提高是密不可分的。他戏剧的舞美不仅是他个人创作的重要标识,也为现代戏剧舞美提供了参考。
[Abstract]:Lai Shengchuan, a famous Chinese-speaking director, has directed more than 30 works since 1984, drawing thousands of viewers into the theater. Lai Shengchuan's unique improvisation method and the drama idea of combining east and west make his works unique. At the same time, his creative technique and director's idea are also reflected in the stage art. As an organic part of Lai Shengchuan's drama, stage art has its function and value. It is not only an important artistic language, but also a symbol of Lai's artistic style and characteristics. On the basis of watching Lai Shengchuan's theatrical performances and combing relevant research materials, this paper probes into the formation, development, artistic characteristics and aesthetic effect of Lai Shengchuan's drama dance, and analyzes the enlightenment that Lai Shengchuan's drama dance brings to modern drama dance. The introduction mainly expounds the purpose, research methods and research difficulties of this paper, defines the relevant concepts involved in this paper, and also reviews the literature of Lai Shengchuan's drama dance and contemporary drama dance. On the basis of literature review and scene view, this paper sums up the artistic features of Lai Shengchuan's drama dance and analyzes its aesthetic effect. The first chapter summarizes Lai Shengchuan's life and the road of drama creation, and analyzes the influence of Lai's growing up and studying experience on his creation. The second chapter divides Lai Shengchuan's drama dance beauty into three styles: realism, modernism and postmodernism according to the artistic style type of drama dance, and analyzes the formation background and expression form of Lai Shengchuan's three artistic styles. This paper discusses the specific artistic features of Lai Shengchuan's drama and dance in these three styles. The third chapter analyzes the aesthetic effect of dance beauty factors such as props, lighting, multimedia and space in Lai Shengchuan's drama, and analyzes the positive role of dance beauty in his drama from the perspective of audience and market. Clarify the importance of dance in Lai Shengchuan's plays. The fourth chapter discusses the main factors that affect Lai Shengchuan's dance creation from the perspective of the development trend of dance beauty, the context of Lai's creation and the audience's angle, and also participates in it from the perspective of director. This paper analyzes the enlightenment of Lai Shengchuan's drama dance to contemporary drama dance from cross-border cooperation and commercial choice. The conclusion of the thesis sums up the development of Lai Shengchuan's drama and dance beauty and his creative idea. The creation team and the audience's aesthetic improvement are inseparable. The dance beauty of his drama is not only an important symbol of his personal creation, but also a reference for modern drama dance beauty.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J813

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