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论中国戏曲舞台上的动物造型及其相关问题

发布时间:2019-02-16 20:42
【摘要】:如何扮演动物是中国戏曲舞台美术中颇为重要之问题。中国戏曲舞台上扮演动物的造型手段主要有面具、"套头"、"形儿"、"簪形"、脸谱和"磕脑"等6种,其中"形儿"主要用于扮演真的动物,"簪形"主要用于人与动物之间的置换。这些造型手段的演变大致遵循着从写实到写意、便于操控的脉络,体现于从动物面具到动物脸谱、从动物"套头"到动物"磕脑"、从大半身"形儿"到全身"形儿"等方面。人与动物以及动物与动物在舞台上的置换,大致遵循一个原则:变幻之后的造型尽量兼顾变幻前的原形。
[Abstract]:How to play animals is a very important issue in Chinese opera stage art. In Chinese opera, there are mainly six kinds of modeling methods for playing animals on the stage of Chinese opera, such as mask, "cover", "shape", "hairpin", facial composition and "kowtow", among which "shape" is mainly used to play real animals. The "hairpin" is mainly used for the replacement between human beings and animals. The evolution of these modeling methods follows the context from realism to freehand brushwork, which is easy to control. It is embodied in such aspects as animal masks and animal faces, from animal "head" to animal "kowtow", from half body "shape" to whole body "shape" and so on. People and animals in the exchange on the stage, roughly follow one principle: the shape after the change as much as possible before the change of the original form.
【作者单位】: 南京大学文学院;
【分类号】:J813

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