周立波“海派清口”语言艺术研究

发布时间：2019-06-12 20:05

【摘要】：近年来，上海滑稽演员周立波创立的“海派清口”艺术赢得了广大观众的喜爱，同时，作为一种文化现象，也引起了广大学者的关注，许多学者从不同角度对“海派清口”艺术展开了研究，取得了一定的成绩。但是，大部分学者主要是从表演艺术和新闻传播学角度分析，仅有少部分学者从语言学某个角度对其进行研究，作为一种语言艺术，很少有学者系统地从语言学角度对其进行探讨。以语言学理论为基础，系统地对“海派清口”脱口秀语言进行分析研究，对了解周立波的幽默策略、脱口秀成功的技巧和丰富笑文化有一定的理论价值，也对电视脱口秀节目的改革有某种启示和借鉴作用。本文就是以“海派清口”的语料为基础，结合语言学相关理论，对“海派清口”言语艺术进行探讨，以期达到抛砖引玉的效果。全文共分为五章，除了绪论和结语，二到四章是全文的重点所在。绪论部分为概说部分，作为全文的铺垫，重点介绍“海派清口”的定义、选题的背景和缘由、本文的研究现状和创新之处以及本文的研究方法和意义，以使读者对“海派清口”和本文的研究有一个初步的了解，为全文的展开提供一个前提。第一章主要从整体上概括了“海派清口”语言的风格特征，即调侃幽默性、大胆创新性、开放灵活性、滑稽模仿性、时效亲民性，并且以语料为基础分别对这些风格特征进行分析。第二章主要从修辞学角度分析“海派清口”语言的使用策略，分别从语义修辞策略、语音修辞策略和语法修辞策略三个角度展开分析，从中总结出“海派清口”语言的主要修辞策略。语义修辞策略有:反讽、比喻、夸张、双关、排比、对比、仿词等；语音修辞策略方面，“海派清口”脱口秀语言讲究韵律，某些段子韵律和谐自然，高频使用谐音和摹音手段，，上海话的频繁使用也为其语言注入了新鲜的血液；语法修辞策略方面,周立波主要是通过高频使用疑问句和感叹句、利用超常搭配、改变词语结构和巧用语序等多种途径来制造幽默。第三章主要从语用学角度分析“海派清口”语言的使用策略，分别从语码转换、合作原则和模糊限制语三个语言理论为出发点展开研究，从中总结出“海派清口”语言的主要语用策略有：不失时机的语码转换，违反合作原则和高频使用模糊限制语。结语主要是对全文的总结，还包括本文的缺陷与不足以及本课题研究的前景。本文立足于大量的语料，综合运用归纳统计的方法，在语言理论的使用方面，尽可能地做到准确，希望这项工作能够对脱口秀语言的使用策略研究起到一定推动作用。
[Abstract]:In recent years, the art of "Shanghai School Qingkou", founded by Shanghai comedian Zhou Libo, has won the love of the vast audience. At the same time, as a cultural phenomenon, it has also attracted the attention of the majority of scholars. Many scholars have carried out research on the art of "Shanghai School Qingkou" from different angles, and have made certain achievements. However, most scholars mainly analyze it from the perspective of performing art and journalism and communication, and only a small number of scholars study it from a linguistic point of view. As a kind of language art, few scholars systematically discuss it from the linguistic point of view. On the basis of linguistic theory, this paper systematically analyzes and studies the language of the talk show of "Shanghai School Qingkou", which has certain theoretical value for understanding Zhou Libo's humor strategy, the successful skills of the talk show and enriching the laughing culture, and also has some enlightenment and reference function for the reform of the TV talk show program. Based on the corpus of "Shanghai School Qingkou" and combining with the relevant linguistic theories, this paper probes into the speech art of "Shanghai School Qingkou" in order to achieve the effect of throwing bricks and attracting jade. The full text is divided into five chapters, in addition to the introduction and conclusion, two to four chapters are the focus of the full text. The introduction part is the introduction part, as the foreshadowing of the full text, focusing on the definition of "Shanghai School Qingkou", the background and reason of the topic, the research status and innovation of this paper, as well as the research methods and significance of this paper, so that readers can have a preliminary understanding of "Shanghai School Qingkou" and the research of this paper, and provide a premise for the development of the full text. The first chapter mainly summarizes the style characteristics of "Shanghai School Qingkou" language as a whole, that is, teasing humor, bold innovation, open flexibility, funny imitation, prescription pro-people, and analyzes these style features on the basis of corpus. The second chapter mainly analyzes the use strategy of "Shanghai School Qingkou" language from the rhetorical point of view, and analyzes it from three angles: semantic rhetorical strategy, phonetic rhetorical strategy and grammatical rhetorical strategy, from which the main rhetorical strategies of "Shanghai School Qingkou" language are summarized. Semantic rhetorical strategies include irony, metaphor, exaggeration, pun, ranking, contrast, imitation of words, etc. In terms of phonetic and rhetorical strategies, "Shanghai Qingkou" talk show language pays attention to rhythm, some paragraphs rhythm harmony and nature, high frequency use of homonym and imitation means, the frequent use of Shanghainese has also injected fresh blood into its language; In terms of grammatical and rhetorical strategies, Zhou Libo mainly makes humor through the high frequency use of interrogative sentences and exclamatory sentences, the use of supernormal collocation, the change of word structure and the skillful use of word order. The third chapter mainly analyzes the use strategies of "Shanghai Qingkou" language from the pragmatic point of view, starting from the three language theories of code-switching, cooperative principle and hedges, and concludes that the main pragmatic strategies of "Shanghai Qingkou" language are as follows: code-switching, violation of the principle of cooperation and high frequency use of fuzzy restrictive language. The conclusion is mainly a summary of the full text, including the defects and shortcomings of this paper and the prospect of this topic. Based on a large number of corpus, this paper comprehensively uses the method of induction and statistics, and tries to be as accurate as possible in the use of language theory. It is hoped that this work can play a certain role in promoting the study of the use strategy of talk show language.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I207.3;J826

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