维拉.洛博斯《巴西的轮回》研究

发布时间：2018-01-30 05:11

本文关键词： 维拉.洛博斯巴西的轮回创作特征民族性演奏建议　出处：《上海师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：海特.维拉.洛博斯(Heitor Villa-Lobos)是20世纪巴西在国际乐坛上最具影响力的作曲家之一,他的作品一方面兼具“传统”与“现代”的创作特征,另一方面又深深根植于巴西的民间音乐中。本文选用他的钢琴独奏作品《巴西的轮回》作为研究对象,立足于对音乐的本体分析,结合作曲家的生平经历对作品进行综合性探究。全文共分为五章,研究内容涉及对《巴西的轮回》(Ciclo Brasileiro)这部作品的创作起因、其创作背后的宏观背景、音乐语言的使用等,并由此延伸至作品的创作特征、对于巴西民间音乐的挖掘以及演奏作品时需要被注意的方面等。第一章主要介绍维拉.洛博斯《巴西的轮回》这部作品的宏观背景,包括其自幼对于巴西音乐的热爱以及两次法国之行对于其音乐创作的影响,最后回归到该作品创作的时代背景;第二章立足于音乐本体,按照内部曲目的顺序对其曲式结构、调式调性、和声、节奏等进行分析;第三章在第二章的基础上,对作品的创作特征进行归纳,包括结构上的对称与非对称、调式调性的布局手法、和声运用以及各乐曲之间的联系等;第四章先从巴西的民间音乐展开,主要从三大“源头文化”进行论述,并用作品中的具体实例论证民间音乐元素在《巴西的轮回》中的体现;第五章从作品的谱面入手,先对谱面所提供的演奏信息进行分析,再对作品演奏中的难点进行探讨。最后以前几章为依据,对《巴西的轮回》所体现出的创作特征以及民族性进行总结,并结合谱面以及笔者自身演奏体会对作品的演绎给出一些建议。
[Abstract]:In 20th century, Heitor Villa-Loboso was one of Brazil's most influential composers in international music. On the one hand, his works have the characteristics of "tradition" and "modern", on the other hand, they are deeply rooted in the folk music of Brazil. Based on the Noumenon analysis of music, combined with the composer's life experience for a comprehensive exploration of the work. The full text is divided into five chapters. The content of the study involves the origin of the creation of this work, the macro background behind it, the use of musical language and so on. And thus extends to the creative characteristics of the work. For the excavation of Brazilian folk music and the aspects to be paid attention to when performing works. The first chapter mainly introduces the macro background of Vera Lobos' Brazilian reincarnation. It includes his love of Brazilian music since his childhood and the influence of his two trips to France on his music creation. Finally, he returns to the background of the creation of this work. The second chapter is based on the music Noumenon, according to the order of the internal repertoire of the music structure, tone, harmony, rhythm and so on. On the basis of the second chapter, the third chapter summarizes the creative characteristics of the works, including the structure of symmetry and asymmetry, tone layout techniques, the use of harmony and the relationship between the music, and so on; Chapter 4th starts from the folk music of Brazil, mainly from the three "source culture", and demonstrates the embodiment of folk music elements in the samsara of Brazil with the concrete examples in the works; Chapter 5th begins with the spectrum surface of the work, first analyzes the performance information provided by the spectrum surface, and then discusses the difficulties in the performance of the work. Finally, it is based on the previous chapters. This paper summarizes the creative characteristics and national characteristics of Brazilian reincarnation, and gives some suggestions on the interpretation of the works in combination with the spectral surface and the author's own performance experience.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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