勋伯格四部弦乐四重奏的音高材料和结构形态研究

发布时间：2018-02-03 06:58

  本文关键词： 阿诺德·勋伯格 调性音乐 自由无调性音乐 无调性 十二音音乐 音高材料 结构形态　出处：《上海音乐学院》2016年博士论文　论文类型：学位论文

【摘要】：作为20世纪西方最重要的作曲家之一,阿诺德·勋伯格(Arnold Schoenberg,1874-1951)无疑是值得被人们关注的,其贡献和地位也是不容忽视的。他出生在欧洲浪漫主义中后期,成长于欧洲音乐传统发生变化并向现代音乐风格演进的二十世纪上半叶。作为德奥音乐传统的忠实捍卫者,他一生的音乐创作、音乐理论研究、音乐教学都没有脱离德奥音乐前辈们对他的影响,是一位扎根于“传统”的现代音乐作曲家;作为新维也纳乐派的代表人物,他努力在音乐语言上进行革新、演进,以他独特的创造精神和不懈的努力,突破了功能调性长久以来的束缚力,使其进入到自由无调性音乐时期,在不断地探索和思考中,一步步完善了十二音作曲法,重建了音高组织体系,从而对整个二十世纪西方音乐的发展历程产生了巨大的影响。勋伯格的音乐既与传统有着非常密切的关系,同时又有很多新的思想、新的技法,在传统和现代之间架起了一座非常好的桥梁。他不同于大多数作曲家,作为理论家的他,其深厚的理论学养和学术建树,使他的音乐创作有着十分系统化、整体化的创作理念及其形式化程序,观念与形式的完美结合,不仅提升了他音乐创作的艺术价值,同时也丰厚了其审美意义。本论文《勋伯格四部弦乐四重奏的音高材料和结构形态研究》选择勋伯格的四部弦乐四重奏作为研究对象,拟从弦乐四重奏这一经典的体裁出发,通过对四部弦乐四重奏的音乐文本进行较为全面的音乐形态、作曲技术的个案分析、类比研究,来探求该作品在音高材料和结构形态等方面的个性化处理及一致性链条。由于这四部弦乐四重奏分别置于作曲家前后两个重要的创作时期,即“调性音乐时期”和“十二音音乐时期”,而在作曲家的第二创作时期,即“自由无调性音乐时期”内,不仅仅没有进行弦乐四重奏的创作,甚至完全没有涉及到任何弦乐体裁的创作,鉴于这些问题,在本文的研究过程中,还将把作品置于特定的历史时期来进行分析考证,以期揭示出勋伯格个性化的音乐语言和创作风格的演变过程,明确这四部弦乐四重奏在作曲家整个创作历程中的地位和意义。同时,本文还将从美学、史学等角度对作曲家的结构思维以及在此基础上对音乐各结构元素的逻辑关系进行梳理、归纳、提升、总结,在观念和形式上对这四部作品所蕴含的更深的内涵、意蕴进行更深层次的探讨。本论文由绪论、正文及结语组成。在绪论中,笔者首先对勋伯格创作的历史背景、论文选题的缘起及其意义进行简要论述,并对该论题在国内外的研究现状进行概括性梳理。正文部分共六章。前三章主要对勋伯格四部弦乐四重奏的音高材料及其组织方式进行微观分析,内容涉及横向音高材料、纵向音高材料、音高逻辑组织方式等方面。第四章和第五章主要对勋伯格四部弦乐四重奏的结构形态进行宏观论述,着重讨论四部弦乐四重奏在结构形式上的继承与发扬、在结构构建上的主要特征。第六章则将聚焦点集中于四部弦乐四重奏在音乐风格与美学思想上的转变。各章节逐层推进、相互比照,共同阐述了勋伯格四部弦乐四重奏在音高材料和结构形态上的本质特点,从而较为全面地解读勋伯格音乐观念与形式的演进及其在音乐长河中的艺术价值。论文最后就勋伯格创作技法的发展与演进以及对勋伯格弦乐四重奏的整体评价进行总结性的说明,并提出本论文对勋伯格弦乐四重奏研究的贡献与未来可能的延伸。
[Abstract]:One of the most important western composers as of twentieth Century, Arnold Schonberg (Arnold Schoenberg, 1874-1951) is undoubtedly worthy of attention, its contribution and status can not be ignored. He was born in the late European Romanticism, grew up in the European music traditions to modern music style changes and the evolution of the first half of twentieth Century as the loyal. Defenders of German and Austrian music tradition, his music creation, music theory, music teaching out of German and Austrian music predecessors on his influence, is rooted in a "traditional" modern music composer; as a representative of the new Vienna school, he tried to innovate in music language evolution, with his unique the creative spirit and unremitting efforts, to break the shackles of force functional tonality for long, make it into free atonal music, constantly. Cable and thinking, step by step to improve the twelve tone composition method, reconstruction of the pitch organization system, has great influence to the development process of the twentieth Century western music. Schoenberg's music is traditional and has a very close relationship, and at the same time, there are a lot of new ideas, new techniques, in the traditional the modern and has built a very good bridge. He is different from most composers as a theorist, he, his profound theoretical knowledge and academic achievements, his music has a very systematic, holistic concept of creation and its formal procedures, perfect combination of concept and form, not only improved his music creation the value of art, but also enrich the aesthetic significance. This thesis < Schoenberg four string quartets of pitch materials and Structure Research > select Schoenberg's Four String Quartet as the research object, Starting from the classical genre String Quartet, carries on a more comprehensive form of music through music text on four string quartets, case analysis, composition analogy research, personalized treatment and to explore the consistency of the chain works in the pitch structure and material shape. Because after these four strings Quartet composers were placed in the two important period of creation, namely "tonal music period" and "twelve tone music period", and in second the composer's creative period, namely "free atonal music period", not only for String Quartet creation, or even completely not related to any string genre creation. In view of these problems, in the course of the study, will also work under a specific historical period to carry on the analysis and research, in order to reveal the Schoenberg language and a personalized music The evolution of style, clear the four string quartets composer status and significance in the entire writing process. At the same time, this article will be from the aesthetics, carding, induction, promotion, summarize the logic of the relationship between the structural elements of the music history of the composer's thinking angle structure and on this basis, connotation which of these four works in concept and form a deeper connotation, deeper study. This paper consists of preface, text and conclusion. In the introduction, the author of the creation of Schoenberg's historical background, origin and significance of the topic are briefly discussed, and a general review of research status of this topic at home and abroad. The text includes six chapters. The first three chapters on the microscopic analysis of Schoenberg's Four String Quartet pitch materials and their organization, content involves transverse pitch materials, longitudinal Pitch materials, pitch logical organization. The fourth chapter and the fifth chapter is mainly the structure of Schoenberg's Four String Quartet macro discussion, focuses on and develop the four string quartets inherited in the form of structure, the main features in the structure of the transition. The sixth chapter will focus on the Four String Quartet in music style and aesthetic ideas. Each chapter of the layer to promote, in comparison, expounds the essence of common features of Schoenberg four string quartets in pitch materials and structure, so as to comprehensively understand the evolution concept and form the reading of Schoenberg music and its artistic value in the music in the river. The finally, summary of the description of the development and evolution of Schoenberg creation techniques and overall evaluation of the Schoenberg String Quartet, and put forward the Schoenberg string four Sonata The contribution of the study and the possible extension of the future.

【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J614
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本文编号：1486749