根据广西壮族民歌音乐元素改编的钢琴作品的演奏与教学

发布时间：2018-03-04 23:01

本文选题：广西壮族　切入点：音乐　出处：《中国音乐学院》2017年硕士论文　论文类型：学位论文

【摘要】：钢琴作为一个西洋乐器,与中国少数民族民歌音乐的结合,体现了我国少数民族音乐的包容性和多元化。从1960年开始,就有大量的作曲家把广西壮族民歌音乐融入钢琴作品的创作中,并创作出《壮乡组曲》、《鉴河之歌》和《刘三姐主题幻想曲》等脍炙人口的钢琴作品。在整理、搜集根据广西壮族民歌音乐改编的钢琴作品和相关文献的过程中,笔者发现这些作品很好的展现了西方钢琴作曲技术与广西壮族民歌的融合,形成了相互依托的状态。因此,作为壮族成员一分子的笔者,在弘扬本民族音乐文化的同时,想以演奏和教学作为出发点对根据广西壮族民歌音乐改编的钢琴作品进行更深入的研究。在对根据广西壮族民歌音乐改编创作的钢琴作品的研究中,如何更好的演奏和教学根据广西壮族民歌音乐改编的钢琴作品是本文研究的意义和目的所在。并且研究根据广西壮族民歌改编创作的中国钢琴作品的演奏与教学,对理解根据广西壮族民歌改编创作的钢琴作品也具有重要的实用价值。一方面提高广大人民群众对广西壮族音乐风格以及作品的深入了解,另一方面也让研究根据其他少数民族音乐改编创作的钢琴作品的演奏与教学的笔者提供了对比的材料。中国是一个多民族的大国,拥有56种不同的少数民族音乐文化,如何实现中国钢琴本土化,是几代作曲家们共同努力的目标。广西壮族民歌作为少数民族民歌的典范,将其民歌风格与特征融入钢琴作品的创作中是实现中国钢琴本土化的一个重要途径。本文基于以上的背景,通过对根据广西壮族民歌改编创作的钢琴作品演奏与教学的研究,剖析广西壮族民歌音乐在钢琴作品中的运用和体现,为其他的作曲家提供一个少数民族音乐与钢琴音乐结合的范例,促进了其他少数民族音乐在钢琴作品的应用,展现了中国少数民族音乐的包容性。同时还为演奏者提供了一定的演奏和教学方面的参考资料。这不仅发展和传承了广西壮族民歌音乐,还在一定程度上促进了少数民族之间的团结,具有一定的研究价值。本文以《根据广西壮族民歌音乐元素改编的钢琴作品的演奏与教学》为题,以根据广西壮族民歌音乐元素改编的钢琴作品归纳与分类为出发点,深入的研究其演奏和教学两方面的内容,使演奏者更好的弹奏和教学出其音乐作品的本质。本论文共为三章:第一章:介绍广西壮族及广西壮族音乐,分别包括调式、旋律和节奏。第二章:对根据广西壮族民歌音乐改编创作的钢琴作品进行分类与分析第三章:主要通过节奏、触键和踏板的运用三个方面对根据广西壮族民歌音乐改编的钢琴作品的演奏与教学的特点进行分析。
[Abstract]:As a western musical instrument, the combination of piano and Chinese folk music reflects the inclusiveness and diversity of minority music in China. Since 1960, A large number of composers have incorporated Guangxi Zhuang folk music into their piano works, and have created popular piano works such as "Zhuang Township Suite", "songs of Jianhe" and "Liu Sanjie's theme Fantasia". In the course of collecting piano works and related documents adapted from Guangxi Zhuang folk song music, the author finds that these works well demonstrate the fusion of western piano composition technology and Guangxi Zhuang folk song, forming a state of mutual dependence. As a member of the Zhuang nationality, the author, while carrying forward his own national music culture, I would like to make a deeper study on piano works adapted from Guangxi Zhuang folk song music based on playing and teaching. In the study of piano works adapted from Guangxi Zhuang folk song music, How to better play and teach the piano works adapted from Guangxi Zhuang folk songs is the significance and purpose of this paper, and also the study of the performance and teaching of Chinese piano works adapted from Guangxi Zhuang folk songs. It is also of practical value to understand the piano works adapted from the folk songs of Guangxi Zhuang nationality. On the one hand, it is of great practical value to enhance the general public's in-depth understanding of Guangxi Zhuang's musical style and works. On the other hand, the author of the study on the performance and teaching of piano works adapted from the music of other ethnic minorities has provided comparative materials. China is a multinational country with 56 different minority music cultures. How to realize the localization of Chinese piano is the common goal of several generations of composers. It is an important way to realize the localization of Chinese piano by integrating the style and characteristics of its folk songs into the creation of piano works. Based on the above background, this paper studies the performance and teaching of piano works adapted from the folk songs of Guangxi Zhuang nationality. This paper analyzes the application and embodiment of Guangxi Zhuang folk song music in piano works, provides an example of the combination of minority music and piano music for other composers, and promotes the application of other minority music in piano works. It not only shows the inclusiveness of Chinese minority music, but also provides some reference materials for performers in playing and teaching. This not only develops and inherits the folk music of Guangxi Zhuang nationality, To some extent, it has promoted the unity among the minority nationalities and has certain research value. This paper is entitled "Piano performance and Teaching adapted from the elements of Guangxi Zhuang Folk songs". Starting from the induction and classification of piano works adapted from the musical elements of Guangxi Zhuang folk songs, this paper makes a thorough study of the two aspects of its performance and teaching. This thesis consists of three chapters: chapter 1: introduction of Guangxi Zhuang and Guangxi Zhuang music, including modes, Melody and Rhythm. Chapter two: classification and Analysis of Piano works based on Guangxi Zhuang Folk Song Music Chapter III: mainly through Rhythm, This paper analyzes the playing and teaching characteristics of piano works adapted from Guangxi Zhuang folk song music from three aspects: touch key and pedal.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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