古典与浪漫的交融—《勃拉姆斯中提琴第一奏鸣曲》的创作背景与演奏诠释

发布时间：2018-03-05 23:18

本文选题：古典　切入点：浪漫　出处：《杭州师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：勃拉姆斯是为19世纪下半叶德国音乐文化中的一位杰出代表,始终坚持古典主义形式创作音乐,坚持无标题音乐。勃拉姆斯在这首作品中把古典主义完美的形式与浪漫主义丰富的情感浓缩在了一起,在形式与内容上完成了高度的统一。晚年的勃拉姆斯对中提琴十分宠爱,特意把为单簧管创作的奏鸣曲改编为中提琴版本。这在他的作品中极为罕见,非常值得人们学习与研究。本文一共分为六个部分。第一部分为绪论,介绍了论文的研究目的与存在价值。第二部分大致地介绍了勃拉姆斯的生平和当时德国的社会环境。引出了这部作品的价值。第三部分从创作风格的交融与作品中的具体体现引出了这部作品的价值。第四部分详细阐述了作品的音乐特点与演奏分析。第五部分以节奏型和旋律线条为切入点展示演奏形态,最后介绍中提琴与钢琴的关系。第六部分为结语。
[Abstract]:Brahms is an outstanding representative of the second half of nineteenth Century, the German music culture, always adhere to the classical form of music creation, adhere to the title music. Brahms in this first work to perfect the classical style and romantic emotion concentrated together, to complete a high degree of unity in the form and content of old age. Brahms is loved for Viola, specially for Clarinet Sonata for Viola adapted version. This in his works is very rare, very worthy of study and research. This paper is divided into six parts. The first part is the introduction, introduces the research purpose and value. The second part briefly introduces the life of Brahms and the German social environment. The value of this works. The third part of the body from the blend and creation style in The value of this work is presented. The fourth part elaborates on the musical characteristics and performance analysis of the works. The fifth part shows the performance form based on rhythm and melody lines, and finally introduces the relationship between Viola and piano. The sixth part is the conclusion.

【学位授予单位】：杭州师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J622.2

【相似文献】