由《琴书大全》管窥“调子”音乐

发布时间：2018-03-06 02:27

  本文选题：调子　切入点：操弄　出处：《南京艺术学院学报(音乐与表演)》2017年03期 　论文类型：期刊论文

【摘要】：北宋时期盛行的古琴音乐体裁"调子"是与大型琴曲"操弄"相对应的小型琴曲,本文将《琴书大全》中记载的"调子"曲目与明代多种琴谱、琴书进行比较研究,推理出宋代"品"、"调子"、"操弄"这三种不同体裁相互搭配习琴的方式逐渐演化至明代"调意"、"前吟"、"大操"的配奏体例,在明代各式谱本中成为规范化的录谱模式,并对明代琴谱"曲必有吟,意必有考"的传统影响至深。
[Abstract]:The "tune", which is popular in the Northern Song Dynasty, is a small piano music corresponding to the "manipulation" of a large scale piano music. This paper makes a comparative study of the "tune" track recorded in the "Book of the harp Book" and various kinds of instruments and books of the Ming Dynasty. The way of three different genres, such as "quality", "tune" and "manipulation" in Song Dynasty, gradually evolves into the matching style of "tone meaning", "former Yin" and "Da Cao" in Ming Dynasty, which has become a standardized recording mode in various kinds of music books of Ming Dynasty. And the music of the Ming Dynasty music "there must be Yin, meaning there must be an examination" of the traditional influence.
【作者单位】： 西安体育学院艺术系;
【基金】：山东省社会科学规划项目(项目编号:15cwyj31)《魏晋南北朝时期的礼乐制度研究》的阶段性成果
【分类号】：J632.31
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本文编号：1572951