兴德米特《韦伯主题交响变奏曲》的和声技法研究

发布时间：2018-03-07 23:10

本文选题：兴德米特　切入点：《韦伯主题交响变奏曲》　出处：《西安音乐学院》2017年硕士论文　论文类型：学位论文

【摘要】：保罗·兴德米特(Paul Hindemith,1895——1963)是20世纪初德国的著名作曲家、作曲理论家。他的作品既继承了德国优良的音乐传统,又形成了自己的个人风格。作为一名作曲家,他分别于1937年与1939年完成了理论著作《作曲技法》(前两卷)从而形成了自己的理论体系。在该套著作的第一卷中尤以和声理论最为重要,而他的作曲理论及和声原理的运用直接体现在管弦乐《韦伯主题交响变奏曲》中。这部作品创作于1943年,四个乐章的主题均采自于德国作曲家卡尔·玛利亚·冯·韦伯的音乐作品,但是作品内部的和声手法已不完全是传统和声理论范畴内的了,而是"兴氏和声理论"实际运用的范例。笔者将针对这部作品的和声技法进行重点分析,诠释作曲家在创作的过程中如何运用他自己的理论构建起一部以19世纪音乐为主题的"20世纪"管弦乐作品。另外,笔者还将对此部作品的创作技术特点进行分析,以求作品解析的全面性。
[Abstract]:Paul Hindemitht, Paul Hindemitht, was a famous German composer and composer in early 20th century. His works not only inherited Germany's fine musical tradition but also formed his own personal style. In 1937 and 1939, respectively, he completed his theoretical work, "composing techniques" (the first two volumes), thus forming his own theoretical system. In the first volume of the book, the theory of harmony was of the greatest importance. His composition theory and the use of harmony principles are directly reflected in the Orchestra Weber's theme Symphony Variations, which was written in 1943. The themes of the four movements are taken from the music of German composer Carl Maria von Weber, but the harmony techniques within the works are no longer entirely within the realm of traditional harmony theory. It is an example of the practical application of "Hsing's Harmony Theory". The author will focus on the analysis of the harmony techniques of this work. How to construct an Orchestra of 20th century with the theme of 19th century Music by using his own Theory in the process of the composer's creation? in addition, the author will also analyze the technical characteristics of the creation of this work. In order to seek the comprehensive analysis of the work.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614.1

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