德彪西《第一单簧管狂想曲》的音乐风格与演奏分析

发布时间：2018-05-06 12:45

本文选题：德彪西 + 印象派　；参考：《上海音乐学院》2017年硕士论文

【摘要】：作曲家阿希尔-克劳德·德彪西是十九世纪末二十世纪初法国最杰出的作曲家之一,也是"印象派"的鼻祖。一生中创作有管弦乐,钢琴曲,室内乐等无数,其创作风格与古典主义音乐相差甚远,已然看不到古典主义音乐的严谨结构,旋律性和逻辑性。本文以德彪西的《第一单簧管狂想曲》为研究对象,通过对作曲家的创作背景、作曲技法、音乐表现以及在实际演奏当中需要注意的几个方面进行综合分析,发掘从单簧管演奏层面所需要的演奏手段。力求在对作品全面理解的基础上来解释作品。本文分为引言、第一至三章、结语。引言部分从单簧管发展简明的说明单簧管的历史和作曲背景。第一章,介绍作曲家阿希尔-克劳德·德彪西的生平及音乐风格。第二章,介绍作品的曲式结构与演奏分析。第三章,作为一名学习单簧管多年的学生,根据自己以往的演出经验总结自己的演奏心得,即如何在演奏方面更好的去诠释、表现作品。
[Abstract]:The composer Ashe-Claude Debussy is one of the most outstanding composers in France in the late 19th century and early 20th century, and the ancestor of Impressionism. There are countless orchestral music, piano music, chamber music and so on in his life. His writing style is far from classical music, and he can't see the rigorous structure, melody and logic of classical music. Taking Debussy's Rhapsody of the first clarinet as the object of study, this paper makes a comprehensive analysis of the composer's creative background, composition techniques, musical performance and several aspects that should be paid attention to in the actual performance. Explore the performance from the clarinet level required to play the means. Try to explain the work on the basis of a comprehensive understanding of the work. This article is divided into introduction, the first to three chapters, conclusion. The introduction describes the history and composition background of clarinet from the development of clarinet. The first chapter introduces the life and music style of composer Ashe-Claude Debussy. The second chapter introduces the musical structure and performance analysis of the works. The third chapter, as a student who has studied clarinet for many years, summarizes his own performance experience according to his previous performance experience, that is, how to better interpret and express his works in performing.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J621.4

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