佛乐唱导润腔技术研究——以重庆罗汉寺瑜伽焰口唱腔为例

发布时间：2018-05-06 14:58

本文选题：佛乐 + 唱导　；参考：《云南艺术学院学报》2016年02期

【摘要】：佛乐唱导乃佛徒弘法之舟楫,属"五明"中的"声明",是我国传统音乐文化的重要组成部分。与一般的声乐演唱相比,佛乐唱导因其存在的时空场域和文化语境而显现出独有的文化特质。润腔技术是决定佛乐唱导总体风格的重要内因,也是佛徒自我修持的重要途径之一。本文以重庆罗汉寺瑜伽焰口仪轨唱腔为例,对佛乐唱导的润腔技术进行了比较全面和客观的分析,将其分为音高性润腔、节奏性润腔、结构性润腔、力度性润腔、音色性润腔与综合性润腔等几类进行考察,试图探析佛乐演唱技术方面的本质与特色。
[Abstract]:Buddhist music and singing guide is a kind of "declaration" in "Wu Ming", which is an important part of Chinese traditional music culture. Compared with the general vocal music singing, the Buddha singing lead shows its unique cultural characteristics because of its space-time field and cultural context. Moistening technique is an important internal factor to determine the overall style of singing and leading of Buddha music, and it is also one of the important ways for self-practice of Buddha. This paper takes the singing of Yoga fireworks in Luohan Temple in Chongqing as an example, and makes a comparatively comprehensive and objective analysis of the technique of moistening the singing and leading of Buddhist music, which is divided into three types: pitch, rhythmic, structural, dynamic, and so on. In order to explore the essence and characteristics of the singing technique of Buddha music, this paper makes an investigation of several kinds of timbre and comprehensive melodies.
【作者单位】：中国音乐学院音乐研究所博士后流动站;西南大学音乐学院;
【基金】：2015年中国博士后第57批面上资助项目“社会变迁中瑜伽焰口仪轨音乐的民族心理与社会功能研究”(资助编号:2015M571233) 北京市博士后工作经费资助项目“川腔瑜伽焰口仪轨音乐的民族心理与社会功能研究” 2016年中央高校基本业务费专项资金资助(项目批准号:SWU1609110)的阶段性研究成果
【分类号】：J608

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