历史学视野下的桑桐钢琴创作与贡献研究
发布时间：2018-12-17 14:40
【摘要】：本文以中国作曲家和音乐教育理论家桑桐先生的钢琴音乐创作为研究对象,通过查阅大量的资料,从桑桐先生的生活经历和创作背景入手,依托《桑桐钢琴作品集》,对其钢琴作品创作的历史进行梳理,并结合其钢琴作品进行系统的分析,剖析其作曲风格。在此基础上进一步探求桑桐钢琴音乐形态所产生的创作思想渊源和历史文化内涵,并阐述其致力于中国钢琴音乐的民族化创作,以及立身于中国和声教育和民族和声发展的贡献。本文主要从三个部分论述所研究的内容:首先用音乐史学、音乐文献学的研究方法,对桑桐的一生经历,以作曲生涯为主线做了历史性的梳理;对其创作的钢琴作品按历史时间划分为:解放战争时期、建国初期、80年代以后时期。其次采用音乐本体分析的研究方法,对不同历史时期桑桐的代表性钢琴作品进行分析与解读,在此基础上归纳其创作特征,总结其创作影响。最后,将其钢琴音乐创作所体现出的对中国钢琴音乐发展、音乐教学方面的历史贡献放置于音乐社会学研究范畴之内,对桑桐钢琴音乐创作的历史地位及贡献,力图做出较为客观的评价。综上所述,本文从历史学的角度来剖析了桑桐钢琴作品,探讨不同历史环境下,不同时期、不同阶段桑桐创作的钢琴作品对中国钢琴音乐的影响及贡献,并从中总结当代中国钢琴音乐作品创作的得与失,并沿着前人的探索轨迹,对今后中国钢琴音乐创作发展提出了几点意见和看法,为中国钢琴音乐文化发展走向世界稍尽绵薄之力。
[Abstract]:This article takes the piano music creation of Mr. Sang Tong, a Chinese composer and music education theorist, as the research object, through consulting a large amount of data, starting with the life experience and creation background of Mr. Sang Tong, relying on the collection of piano works of Sang Tong. Combing the history of his piano works, and combining his piano works with systematic analysis, analyzes his composition style. On the basis of this, we further explore the origin of the creative thoughts and historical and cultural connotations of Sang Tong's piano music form, and expound his commitment to the nationalization of Chinese piano music. And the contribution of Chinese harmony education and the development of national harmony. This paper mainly discusses the contents of the study from three parts: firstly, by using the research methods of music history and music philology, this paper makes a historical combing of Sang Tong's life experience, taking composing career as the main line; The piano works are divided into the period of the Liberation War, the early period of the founding of the people's Republic of China and the period after the 1980's. Secondly, this paper analyzes and interprets Sang Tong's representative piano works in different historical periods by using the research method of music ontology analysis, and sums up the characteristics of his creation and the influence of his creation on this basis. Finally, the historical contribution to the development of Chinese piano music and music teaching reflected by his piano music creation is placed within the scope of music sociology research, and the historical position and contribution to Sang Tong's piano music creation. Try to make a more objective evaluation. To sum up, this paper analyzes Sang Tong's piano works from the perspective of history, and discusses the influence and contribution of the piano works written by Sang Tong in different historical environments, different periods and different stages to Chinese piano music. From it, the author summarizes the achievements and losses of contemporary Chinese piano music works, and puts forward some opinions and opinions on the future development of Chinese piano music creation along the track of predecessors' exploration. For the development of Chinese piano music culture towards the world a little contribution.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
本文编号：2384338
[Abstract]:This article takes the piano music creation of Mr. Sang Tong, a Chinese composer and music education theorist, as the research object, through consulting a large amount of data, starting with the life experience and creation background of Mr. Sang Tong, relying on the collection of piano works of Sang Tong. Combing the history of his piano works, and combining his piano works with systematic analysis, analyzes his composition style. On the basis of this, we further explore the origin of the creative thoughts and historical and cultural connotations of Sang Tong's piano music form, and expound his commitment to the nationalization of Chinese piano music. And the contribution of Chinese harmony education and the development of national harmony. This paper mainly discusses the contents of the study from three parts: firstly, by using the research methods of music history and music philology, this paper makes a historical combing of Sang Tong's life experience, taking composing career as the main line; The piano works are divided into the period of the Liberation War, the early period of the founding of the people's Republic of China and the period after the 1980's. Secondly, this paper analyzes and interprets Sang Tong's representative piano works in different historical periods by using the research method of music ontology analysis, and sums up the characteristics of his creation and the influence of his creation on this basis. Finally, the historical contribution to the development of Chinese piano music and music teaching reflected by his piano music creation is placed within the scope of music sociology research, and the historical position and contribution to Sang Tong's piano music creation. Try to make a more objective evaluation. To sum up, this paper analyzes Sang Tong's piano works from the perspective of history, and discusses the influence and contribution of the piano works written by Sang Tong in different historical environments, different periods and different stages to Chinese piano music. From it, the author summarizes the achievements and losses of contemporary Chinese piano music works, and puts forward some opinions and opinions on the future development of Chinese piano music creation along the track of predecessors' exploration. For the development of Chinese piano music culture towards the world a little contribution.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
【参考文献】
相关期刊论文 前1条
1 陈林;;论桑桐对我国和声研究的历史贡献[J];黄河之声;2014年17期
，本文编号：2384338
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