【摘要】：蒙古族作为我国少数民族,其独特的音乐风格及音乐元素对我国少数民族音乐的发展起到了积极的作用。近年来带有蒙古族特色的合唱作品也越来越受到国内外人民的喜爱,因为蒙古族风格的合唱作品具有代表性并能体现出本民族的独特魅力。色·恩克巴雅尔先生创作的合唱作品《蒙古靴》是其中最具代表性的作品之一。合唱作品《蒙古靴》由《源》、《步调》、《火种》三个部分组成,作曲家色·恩克巴雅尔创新的运用了人声的多种演唱技法来演唱,他在蒙古族语言的基础上进行再创造,形成具有蒙古族音乐风格的象声词与衬词,用这种新型的演唱形式来模仿自然界中的各种声音,比如马蹄的响声以及草原中蒙古马奔跑的步伐,再配合马头琴伴奏声部的衬托、颂赞词韵律的演唱所塑造出的蒙古靴的形象,展现了蒙古族人民勇往直前的精神,以及蒙古族历史悠久的草原文化。本人硕士学位论文的研究对象是色·恩克巴雅尔先生创作的合唱作品《蒙古靴》。作品《蒙古靴》是通过描写一副蒙古靴而描绘出蒙古族人民前进的步伐和蒙古马飞奔的身影,营造出辽阔而生机勃勃的草原意境,并把蒙古族灿烂的文明的历史、其马背文化,以及蒙古族人民对大自然的尊重与热爱等,这样的主题贯穿全曲并通过作品表达的淋漓尽致。此次,本论将文分为四个部分来分析这部作品。其中本文的第一章为作曲家的介绍以及作曲家在创作作品的创作灵感及背景。本文的第二章为全文的主体部分。将分为三节来分析和研究这部作品的作曲技法。第一节是从作品的调性分布及和声的应用来分析作品,其中多重调式的叠加以及多种和声色彩的运用是本节中重要的研究内容也是这部作品在调性上的特色创新,第二节是从复调手法的运用来分析作品,第三节是从曲式结构来分析作品,其中作品中模仿复调,对比复调中多种复调手法的运用,多重调性叠加的运用以及作品变奏的特点都是本人研究这部作品的重要部分。本文从作曲技法的角度,对合唱作品《蒙古靴》的音乐本体进行全面研究,以作曲技术的研究方法对该作品的主题旋律、复调、和声以及曲式结构等方面进行分析并做出细致阐述。作曲家色·恩克巴雅尔创新的运用了人声的多种演唱技法来演唱,他在蒙古族语言的基础上进行再创造,形成具有蒙古族音乐风格的象声词与衬词,用这种新型的演唱形式来模仿自然界中各种声音,比如马蹄的响声以及草原中蒙古马奔跑的步伐,再配合马头琴伴奏声部的衬托、颂赞词韵律的演唱所塑造出的蒙古靴的形象,展现了蒙古族人民勇往直前的精神,以及蒙古族历史悠久的草原文化。《蒙古靴》这部作品还充分吸收了蒙古族所具有的独特的风格元素,利用了蒙古族乐器马头琴的四五度定弦方式演奏大二度、小三度、纯五度、小六度、小七度等音程。有马头琴伴奏的混声合唱在整个合唱的发展与传承中都是特色与鲜明的存在,而合唱作品《蒙古靴》恰恰完美的结合了作曲家在作品创作中加入了多种蒙古族独特的演唱形式、马头琴伴奏以及人声器乐化的特点,固定节奏型的运用等,将整个蒙古族的民族起源、发展、历史痕迹等贯穿全曲,充分体现出了整个民族前进的步伐和民族的凝聚力。 [Abstract]:As a national minority in China, the unique music style and the music element play a positive role in the development of Chinese minority music. In recent years, the chorus works with Mongolian characteristics have become more and more popular with the people at home and abroad, because the Mongolian style of the chorus works is representative and can reflect the unique charm of the nation. The chorus works by Mr. Color Enkbar (Mongolian Boots>) is one of the most representative works. The chorus works consist of three parts of the , , three parts, and the composer color 路 Enkhbayar's innovative use of a variety of singing techniques of the human voice to sing, and he makes a re-creation on the basis of Mongolian language. the form of a novel singing form is used to imitate various sounds in the natural world, such as the sound of the horse's horse and the running of the Mongolian horse in the grassland, The image of the Mongolian boot, which is made by the singing of the hymn of the praise, shows the spirit of the Mongolian people and the long history of the Mongolian grassland culture. The study object of my master's degree thesis is the chorus work created by Mr. Color Enkabjer (Mongolian Boots>). The work is to describe the movement of the Mongolian people and the figure of the Mongolian horse by describing a pair of Mongolian boots, to create a vast and dynamic grassland artistic conception, and to take the history of the splendid civilization of the Mongolians, and the horse's back culture. as well as the respect and love of the Mongolian people for nature, the theme of this is through the whole music and through the works. This time, this theory is divided into four parts to analyze the work. The first chapter of this paper is the introduction of the composer and the inspiration and background of the composer's creation. The second chapter of this paper is the main part of the text. It will be divided into three sections to analyze and study the composition techniques of the work. The first section is to analyze the work from the distribution of the tonality of the work and the application of the sound, in which the superposition of multiple modes and the application of multiple and sound colors are the most important research contents in this section. The third section is to analyze the work from the structure of the curved structure, in which the use of multiple adjustment techniques in the work, the application of the multi-tonality and the combination of the multi-tonality and the characteristics of the variation of the works are the important parts of the work. From the angle of composing technique, this paper makes a comprehensive study on the music body of the chorus works , and analyses the theme melody, complex adjustment, harmony and the curved structure of the works by the research method of the composing technology. The composer's color, Enkhbayard's innovative use of the various singing techniques of the human voice to sing, he makes a re-creation on the basis of the Mongolian language, forms the sound and contrast words with the Mongolian music style, and uses the novel singing form to imitate the various sounds in the natural world, such as the sound of the horse's horse and the pace of the Mongolian horse running in the grassland, and then the image of the Mongolian boot, which is made by the singing of the rhythm of the horse, shows the spirit of the Mongolian people and the long-established grassland culture of the Mongolian people. This work also fully absorbs the unique style elements of the Mongolian, and makes use of the four-five degree fixed-string method of the Mongolian musical instrument to play the major two-degree, three-degree, pure five-degree, six-degree, and seven-degree sound. The mixed chorus with the accompaniment of the horse and the piano is characteristic and distinct in the development and the inheritance of the whole chorus, and the chorus works just perfect combination of the composer to add a variety of Mongolian unique singing forms in the work creation. With the characteristics of the accompaniment of the horse and the music of the people and the use of the fixed rhythm, the whole country's national origin, development, historical trace and so on are all through the whole music, which fully reflects the progress of the whole nation and the cohesion of the nation. 【学位授予单位】：内蒙古师范大学 【学位级别】：硕士 【学位授予年份】：2017 【分类号】：J614
