琵琶曲《龙船》中腔韵技法的分析与运用
发布时间：2019-06-01 19:34
【摘要】：在中国文化和艺术的各个领域,都有腔韵的存在及运用,如古诗词、传统音乐、戏剧等。中国民族乐器也发展并形成了一套独具个性的“腔韵”手法。在琵琶演奏艺术中,腔韵包含两种不同的概念,即行腔和行韵。行腔技法的外在表现是左手的推、拉、绰、注等,旨在改变音高。行韵技法的外在表现是吟、揉、打、带等,旨在润化音色。腔韵技法是在演奏过程中根据自我理解及表达方式进行的二度创作,对抒发情感、塑造音乐形象、创造个性化音乐风格等方面具有关键性作用。论文内容主要包括分析腔韵技法在琵琶演奏中的重要性;对《龙船》的三个版本进行分析;以张步蟾版本的琵琶曲《龙船》为例,重点分析该曲中的行腔、行韵特征,并根据谱例研究其中的演奏技法。《龙船》作为传统琵琶大曲之一,具有很高的艺术和演奏价值,通过分析该曲的腔韵技法以及弹奏技法,感受中国传统民间音乐的魅力,加深对乐曲的理解,更有利于演绎出高质量、高水平的乐曲。
[Abstract]:In all fields of Chinese culture and art, there is the existence and application of rhyme, such as ancient poetry, traditional music, drama and so on. Chinese national musical instruments have also developed and formed a set of unique "rhyme" techniques. In pipa playing art, cavity rhyme contains two different concepts, namely line cavity and line rhyme. The external performance of the cavity technique is the push, pull, charge, etc. Of the left hand, in order to change the pitch. The external performance of rhyme techniques is singing, kneading, beating, belt, etc., in order to moisturize the timbre. Cavity rhyme technique is the second creation according to self-understanding and expression in the process of playing, which plays a key role in expressing emotion, shaping music image, creating individualized music style and so on. The contents of this paper mainly include the analysis of the importance of cavity rhyme techniques in pipa playing, and the analysis of the three versions of Dragon Boat. Taking Zhang Buchan's version of the pipa song "Dragon Boat" as an example, this paper focuses on the analysis of the line cavity and rhyme characteristics in the song, and studies the playing techniques according to the musical examples. "Dragon Boat", as one of the traditional pipa Daqu, has high artistic and playing value. By analyzing the rhyme techniques and playing techniques of the song, we can feel the charm of Chinese traditional folk music and deepen the understanding of the music, which is more conducive to the interpretation of high quality and high level music.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.33
本文编号：2490524
[Abstract]:In all fields of Chinese culture and art, there is the existence and application of rhyme, such as ancient poetry, traditional music, drama and so on. Chinese national musical instruments have also developed and formed a set of unique "rhyme" techniques. In pipa playing art, cavity rhyme contains two different concepts, namely line cavity and line rhyme. The external performance of the cavity technique is the push, pull, charge, etc. Of the left hand, in order to change the pitch. The external performance of rhyme techniques is singing, kneading, beating, belt, etc., in order to moisturize the timbre. Cavity rhyme technique is the second creation according to self-understanding and expression in the process of playing, which plays a key role in expressing emotion, shaping music image, creating individualized music style and so on. The contents of this paper mainly include the analysis of the importance of cavity rhyme techniques in pipa playing, and the analysis of the three versions of Dragon Boat. Taking Zhang Buchan's version of the pipa song "Dragon Boat" as an example, this paper focuses on the analysis of the line cavity and rhyme characteristics in the song, and studies the playing techniques according to the musical examples. "Dragon Boat", as one of the traditional pipa Daqu, has high artistic and playing value. By analyzing the rhyme techniques and playing techniques of the song, we can feel the charm of Chinese traditional folk music and deepen the understanding of the music, which is more conducive to the interpretation of high quality and high level music.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.33
【引证文献】
相关期刊论文 前1条
1 张蔚;;琵琶扫弦技法在演奏中的运用[J];艺术评鉴;2018年13期
，本文编号：2490524
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