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《诗经》到《楚辞》乐风的嬗变

发布时间:2019-06-02 12:23
【摘要】:《诗经》与《楚辞》产生之初皆可歌唱,但二者在乐器形制、音阶曲式与情感基调等方面呈现出不同特点,首先是乐器的发展与金石乐器功能的转换,楚乐中金石乐器的旋律功能对"金石以动之,丝竹以行之"的周代音乐是重大突破;其次是不同于《诗经》曲式的回环往复,楚乐更变化多端,增加了"乱"、"少歌"与"倡"等重要组成部分;三是楚乐情感超越了周乐中和肃穆的规范,以凄楚激越为主。《楚辞》之所以形成与《诗经》不同的乐风,主要是因其文化背景迥异于中原,深受楚地风俗及民歌的影响。
[Abstract]:Both the Book of songs and Chu ci can sing at the beginning of their emergence, but they show different characteristics in the shape of musical instruments, scale and emotional tone, etc. The first is the development of musical instruments and the transformation of the function of golden and stone musical instruments. The melodic function of Jinshi musical instrument in Chu music was a great breakthrough to the music of Zhou Dynasty, which was "the movement of gold and stone and the action of silk and bamboo". Secondly, different from the "Book of songs", Chu Le is more varied, adding "chaos", "less song" and "initiative" and other important components; Third, the emotion of Chu music transcends the norms of Zhou Lezhong and solemnity, mainly because Chu ci forms a different style of music from the Book of songs, mainly because its cultural background is very different from that of the Central Plains, and is deeply influenced by the customs and folk songs of Chu.
【作者单位】: 岭南师范学院人文学院;
【基金】:岭南师范学院2014年人文社科研究专项项目,《朱熹诗经学对诗经汉学的扬弃》阶段性成果,项目编号:ZW1402
【分类号】:J609.2


本文编号:2491095

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