美声唱法在当代中国发展概论

发布时间：2018-05-15 10:59

本文选题：美声唱法 + 发展历程　；参考：《陕西师范大学》2008年硕士论文

【摘要】： 美声唱法是从西方宗教音乐的背景中诞生的,最早源自“阉人歌手”,“阉人歌手”所创造的一整套歌唱方法被保留下来,经整理改良并发扬光大,逐渐成为意大利古典唱法的一种特殊发声方法和声音形式。美声唱法形成后,陆续向欧洲其它国家扩展。20世纪初,传入我国。人类文化从碰撞、争议到交流、融合,是一个漫长而又必然的发展过程。同样,中西演唱艺术的借鉴和融合也必须符合客观实际的要求和事物发展的一般规律,即:古为今用、洋为中用、合理借鉴、互融互进,相得益彰,只有这样才能推动我国的声乐艺术平稳健康向前发展。美声唱法从产生到传入我国已有几百年的历史,这对于我国从事声乐演唱及教学的人事来说,应当在合理借鉴的同时,积极发展具有中国特色的美声唱法。这对于我国文艺繁荣昌盛,将是一项有意义的工程。本文从历史的角度对不同时期美声唱法在中国的发展进行研究,通过对美声唱法发展脉络的梳理,以便对美声唱法的发展有一个更深刻的认识,在此基础上对我国当今美声唱法的发展提出自己的见解:在继承中创造,在借鉴中发展,通过创作大量贴近时代脉搏的歌唱,唱好中国歌,真正意义上实现洋为中用,从而使美声唱法在中国的道路越走越宽广。全文分为四个章节: 第1章美声唱法在中国发展的初创期。本章分为三节,从美声唱法的起源入手,详细阐述了美声唱法在早期引入我国的三个传播途径、并简单介绍了此时期美声唱法在中国的早期开拓者。第2章美声唱法在中国的发展。(包括50-60年代的发展与文革时期的停滞两部分。) 本章分为五节,分别介绍了音乐院校的建设和发展状况:通过这一时期音乐院校、声乐教师和声乐演唱者的论述,回顾了音乐界对美声唱法“全盘西化”和“摒弃西化”截然不同的两种观点;论述了这一对矛盾产生的原因,分析了问题的两个方面;指出“土洋结合,合理借鉴,互融互进,相得益彰”,才是我国美声唱法发展繁荣的正确道路:介绍了此时期美声唱法的歌唱家和教育家;回顾了文革期间声乐艺术停滞所造成的损失。第3章美声唱法在文革后的全面繁荣。本章分为五节,首先论述了专业音乐院校在数量与质量上的提高对于美声唱法的巨大推动作用;其次,论述了声乐表演艺术家的成长和歌唱家队伍不断扩大,是事业蓬勃发展的一个标志;同时,对声乐教育家和国内外的声乐活动和外籍专家来华交流进行了研究和具体介绍;最后,归纳了培养复合性人才,建立有中国特色的美声唱法艺术是发展的必然之路。第4章美声唱法在当今发展的思考和意见。本章通过四节论述,总结经验教训,提出融合借鉴其他艺术优点的同时,不断吸收当代音乐发展的先进性元素,逐渐使美声艺术越来越多地具备科学化特色,在继承中创造,在借鉴中发展,形成中国神韵,通过创作大量贴近时代脉搏的歌唱,唱好中国歌,真正意义上实现洋为中用,从而使美声唱法在中国的道路越走越宽广。
[Abstract]:The bel canto was born from the background of Western religious music. It was first derived from the "castration singer", and the whole set of singing methods created by the "castration singer" was preserved, modified and promoted, and gradually became a special sound and sound form of Italy classical singing. The other countries of the continent spread to our country at the beginning of the.20 century.
The human culture from collision, dispute to communication and fusion is a long and inevitable process of development. Similarly, the reference and integration of Chinese and Western singing art must conform to the requirements of objective reality and the general law of the development of things. The art of vocal music developed steadily and healthfully.
It has a history of hundreds of years from its emergence to the introduction of our country. It is a meaningful project for the prosperity of Chinese literature and art. This is a meaningful project for our country's flourishing literature and art. This article is different from the historical point of view. The development of Chinese sound singing is studied in China. By combing the development of Bel Canto in order to have a more profound understanding of the development of the art of vocal singing, on this basis, we put forward my own views on the development of Chinese sound singing in the present day: to create in inheritance, to develop in borrowing, and to create a lot of pulse in the times. Singing, singing Chinese songs, and realizing foreign things for Chinese use in a real sense, make the way of Bel Canto in China wider and wider.
The full text is divided into four chapters:
The first chapter is the initial stage of Chinese sound singing in the development of China.
This chapter is divided into three sections. From the origin of the canto singing, the paper expounds the three ways of the early introduction of our country by the art of canto, and briefly introduces the early pioneers of the singing method in this period in China.
The second chapter is the development of Bel Canto in China (including the development of the 50-60 era and the two stagnation of the Cultural Revolution).
This chapter is divided into five sections. This chapter introduces the construction and development of music colleges and universities. Through the discussion of music academies, vocal music teachers and vocal music singers in this period, it reviews the two different views of the music circle on the "full Westernization" and "abandoning Westernization" in the music field, and discusses the reasons for the contradiction and analyzes the problems. In the two aspects, it is pointed out that "the combination of earth and ocean, reasonable reference, mutual integration and mutual benefit" is the correct way for the development and prosperity of Chinese sound singing: the singer and educationist of this period is introduced, and the loss caused by the stagnation of vocal music during the cultural revolution is reviewed.
The third chapter of vocal singing flourished after the cultural revolution.
This chapter is divided into five sections. First, the improvement of the quantity and quality of professional music colleges and universities is a great impetus to the vocal music. Secondly, it is discussed that the growth of vocal performance artists and the continuous expansion of the singer's team are a symbol of the flourishing development of the career. At the same time, the vocal music educator and the vocal music activities and foreign countries at home and abroad are also discussed. In the end, it is concluded that the cultivation of compound talents and the establishment of art of singing with Chinese characteristics is the inevitable way of development.
The fourth chapter is the thinking and opinions of Bel Canto in today's development.
This chapter, through four sections, summarizes the experience and lessons, and proposes to assimilate the advantages of other art and absorb the advanced elements of the development of contemporary music, and gradually make the art of beauty more and more scientific. It is created in the inheritance, develops in the reference, forms Chinese charm, and creates a large number of songs close to the pulse of the times. To sing Chinese songs well, and to achieve the goal of making foreign things serve China in a real sense, makes the way of Bel Canto in China wider and wider.

【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J616.2

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