论中国民间音乐中乐段的结构特征

发布时间：2018-06-29 12:09

本文选题：乐段 + 中国民间音乐　；参考：《天津音乐学院》2007年硕士论文

【摘要】：乐段——音乐的段落，音乐陈述结构的主要形式之一。这一音乐术语是上世纪二十年代被引进中国的一个新的名词，它在我国民间音乐理论中又被称作“段式”。近年来，中国民间音乐的研究越来越受到众多理论家们的重视。“乐段”作为进入民间音乐曲式结构体系研究的基础，引导我们从最初领域去认识和揭示其特点和规律。本文将在阐明“乐段”一词的由来及其演变、发展的基础之上，运用搜集文献资料、结合具体谱例解释现象的方法，重点通过对中国民间音乐作品中乐段各类形式的分析及对中西乐段形式的对比等共性的总结和个性的比较，从而进一步研究乐段在中国民间音乐中运用的灵活性、自由性，探讨其研究的重要性和必要性。期望以一己的粗陋见解抛砖引玉，为日后更多专业人士涉入民间音乐曲式研究领域提供一个更为新颖的分析角度和观点。
[Abstract]:Paragraph - Music paragraph, one of the main forms of the musical statement structure. This musical term is a new term introduced to China in the 20s of last century. It is also called "segment" in the folk music theory of our country.
In recent years, the research of Chinese folk music has been paid more and more attention by many theorists. "Music section", as the basis for the study of folk music structure system, leads us to understand and reveal its characteristics and laws from the original field.
On the basis of the origin, evolution and development of the word "music section", this article will use the methods of collecting literature and combining specific examples to explain the phenomenon, focusing on the analysis of the various forms of music section in Chinese folk music and the comparison of the similarities and differences between the Chinese and Western music section and the comparison between the Chinese and western music section. The paper studies the flexibility and freedom of the music section in Chinese folk music, and discusses the importance and necessity of its research.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J614

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