“第一实践”和“第二实践”研究
发布时间：2018-08-03 13:37
【摘要】： 本文以十七世纪初出现的“prima pratica(第一实践)”和“seconda pratica(第二实践)”这一对概念为研究对象。通过对史料的梳理，再现了那场著名的争论——“蒙特威尔第和阿图西(Giovanni Maria Artusi)之争”。通过对围绕着这场争论的焦点的叙述，对阿图西所依据的扎里诺(G·Zarlino)的1558年出版的《和谐的规则》(The Isitituzioni armoniche)所依据的“旋律”(malodia)美学观念的分析，试图找出这两派之间的不同点和共同点。“歌词和和谐的关系”是这场争论的核心点，也是十六世纪文艺复兴理论家、作曲家一直关心的论题。本文也试图将“歌词与和谐的关系”划分为两个层面(音乐要使歌词清晰可闻、音乐要表达歌词的意义以及情感)，对“歌词与和谐的关系”做一个历史性的回顾。并在文中阐述了促使这些观念产生的相关社会背景和“两种实践”的人文内涵和艺术价值。笔者试图在前人研究的基础上，，赋予“第一实践”和“第二实践”一个更加准确的历史定位和更加清晰的价值判断。
[Abstract]:This paper focuses on the two concepts of "prima pratica (first practice" and "seconda pratica (second practice" which appeared in the beginning of the seventeenth century. By combing the historical data, the famous dispute, "the dispute between Monteverdi and Artusi (Giovanni Maria Artusi)", is reproduced. Based on the narration of the focus of this controversy, this paper analyzes the aesthetic concept of "melody" (malodia) based on Zarino (G Zarlino) 's "harmonious rules" published by (The Isitituzioni armoniche) in 1558, on which Artussi is based. Try to find out the differences and common ground between the two factions. "the relationship between lyrics and Harmony" is the core of this debate, and is also the 16th century Renaissance theorists and composers have been concerned about the topic. This paper also attempts to divide the relationship between lyrics and harmony into two levels (music to make the lyrics clear and audible, music to express the meaning and emotion of lyrics), and to make a historical review of the relationship between lyrics and harmony. In this paper, the social background of these ideas and the humanistic connotation and artistic value of "two kinds of practice" are expounded. On the basis of previous studies, the author tries to give "the first practice" and "the second practice" a more accurate historical orientation and a clearer value judgment.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J609
本文编号：2161908
[Abstract]:This paper focuses on the two concepts of "prima pratica (first practice" and "seconda pratica (second practice" which appeared in the beginning of the seventeenth century. By combing the historical data, the famous dispute, "the dispute between Monteverdi and Artusi (Giovanni Maria Artusi)", is reproduced. Based on the narration of the focus of this controversy, this paper analyzes the aesthetic concept of "melody" (malodia) based on Zarino (G Zarlino) 's "harmonious rules" published by (The Isitituzioni armoniche) in 1558, on which Artussi is based. Try to find out the differences and common ground between the two factions. "the relationship between lyrics and Harmony" is the core of this debate, and is also the 16th century Renaissance theorists and composers have been concerned about the topic. This paper also attempts to divide the relationship between lyrics and harmony into two levels (music to make the lyrics clear and audible, music to express the meaning and emotion of lyrics), and to make a historical review of the relationship between lyrics and harmony. In this paper, the social background of these ideas and the humanistic connotation and artistic value of "two kinds of practice" are expounded. On the basis of previous studies, the author tries to give "the first practice" and "the second practice" a more accurate historical orientation and a clearer value judgment.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J609
【参考文献】
相关期刊论文 前1条
1 王丹丹;;音乐与诗[J];音乐艺术-上海音乐学院学报;2006年02期
本文编号：2161908
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