尸说——兼论巴东“撒叶儿嚯”第五拍是重拍
发布时间：2018-08-03 14:10
【摘要】：恩施州的江河文化、山脉文化中的土家、苗、汉等有"待尸"的人文文化。"尸"是神灵,"待尸"是人充任"尸"以祭神灵,"打待尸"是巴东人(包括所有的说"打待尸"者之人群)祭先祖的礼仪。文章试图以巴东"撒叶儿嚯"为例,宽泛地从考源、鉴乐和辩名三方面给这种民间文艺形式勾画一个轮廓,以期能引起有关方面的注意:"待尸"属二音歌的节奏型范畴。而今之巴东《待尸》是"撒叶儿嚯"的核心内容,它的节奏型基本特点是两个"强-强-弱"的三拍形式组成的"六拍",而且第一、二拍和四、五拍是两个连在一起的重拍,因此第五拍不能是弱拍。而关于它的名称,由于臆造猜测,混乱不堪,仅粗略收集到的竟达10种以上。因此以求正本清源、整理提高土家文化方面引起关注,共同用巴文化、土家文化的"软实力",在推进恩施的经济社会发展上有新的探索。
[Abstract]:The river culture of Enshi, the Tujia, Miao and Han in mountain culture have the humanistic culture of "waiting for the corpse". " The corpse is a deity, the corpse is a person acting as a corpse in order to sacrifice the gods, and "beating the corpse" is the ritual of the Padang (including all the people who say "waiting for the body") to worship their ancestors. This paper attempts to draw an outline of this folk art form from three aspects of examination source, music and name, so as to draw the attention of relevant parties: "waiting for corpse" belongs to the category of rhythm type of two-note song. Now Padang "waiting for the corpse" is the core content of "Saayao-ho". Its basic rhythmic feature is the "six-beat" composed of two "strong-weak" three-beat forms, and the first, second and fourth, and five-beats are two consecutive reruns. Therefore, the fifth beat cannot be weak. About its name, conjecture, confusion, only a rough collection of more than 10. Therefore, in order to seek the source of the original and clean up and improve the Tujia culture, the common use of Ba culture, Tujia culture "soft power", in promoting the economic and social development of Enshi has a new exploration.
【作者单位】： 湖北省音协民族音乐委员会;
【分类号】：J607
，
本文编号：2161988
[Abstract]:The river culture of Enshi, the Tujia, Miao and Han in mountain culture have the humanistic culture of "waiting for the corpse". " The corpse is a deity, the corpse is a person acting as a corpse in order to sacrifice the gods, and "beating the corpse" is the ritual of the Padang (including all the people who say "waiting for the body") to worship their ancestors. This paper attempts to draw an outline of this folk art form from three aspects of examination source, music and name, so as to draw the attention of relevant parties: "waiting for corpse" belongs to the category of rhythm type of two-note song. Now Padang "waiting for the corpse" is the core content of "Saayao-ho". Its basic rhythmic feature is the "six-beat" composed of two "strong-weak" three-beat forms, and the first, second and fourth, and five-beats are two consecutive reruns. Therefore, the fifth beat cannot be weak. About its name, conjecture, confusion, only a rough collection of more than 10. Therefore, in order to seek the source of the original and clean up and improve the Tujia culture, the common use of Ba culture, Tujia culture "soft power", in promoting the economic and social development of Enshi has a new exploration.
【作者单位】： 湖北省音协民族音乐委员会;
【分类号】：J607
，
本文编号：2161988
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