再论丹托的艺术终结论

发布时间：2018-01-08 09:37

本文关键词：再论丹托的艺术终结论　出处：《中山大学学报(社会科学版)》2010年06期 　论文类型：期刊论文

【摘要】：当今艺术的生存状态或者可以丹托的艺术终结论一言以蔽之。丹托推崇杜尚、凯奇、沃霍尔等人,认为当代艺术呈现的"后历史"无序状态,正是应验了黑格尔当年以艺术为哲学之一特定阶段的艺术终结论。但丹托言终结并不意味消失,而毋宁是指艺术在经济全球化背景下生存状态的变异,以及意识形态的位移。故而面临艺术市场已被跨国资本主义全面转型的所谓后艺术生存状态,政府制订相应的文化政策,资助艺术的健康发展,将被证明远不仅仅是雪中送炭。
[Abstract]:The art of survival or Danto's theory of the end to sum up in a word. Danto admired Duchamp, Cage, Warhol et al., that contemporary art presents the "history" of disorder, it is a testament to Hagel when the art as one of the particular stage of philosophy of the end of art. But the words Danto end is not disappeared. But rather refers to the art of survival under the background of economic globalization and the ideology of the state variation of displacement. Therefore facing the so-called after the art of survival state of the art market has been a comprehensive transformation of transnational capitalism, the government to formulate the corresponding cultural policy and the healthy development of art funding, will prove far not only timely assistance.

【作者单位】：复旦大学中文系;
【分类号】：J05
【正文快照】： 艺术在现代社会可以说是无孔不入,无远弗届的日常生活审美化语境中,其命运似乎多少显得尴尬。按德国哲学家沃尔夫冈.韦尔施的说法,日常生活审美化对公共空间的侵袭,就导致艺术被无边泛化,从而审美麻痹、审美疲劳。要之,当今流行不衰的“宜居城市”、“让城市更美好”等等口号

【共引文献】