恐怖艺术审美心理初探
发布时间:2018-03-23 11:36
本文选题:恐怖 切入点:恐怖艺术 出处:《西南大学》2012年硕士论文
【摘要】:恐怖艺术是以激发接受者的恐怖情感为诉求的艺术类型。新世纪以来,恐怖艺术越来越流行,恐怖美学问题额开始受到学界的重视。本文以恐怖电影和恐怖小说为例,以中外相关理论研究为基础,就恐怖艺术中的审美心理问题展开初步的探索。 在第一章里,着重解决恐怖感的构成问题。恐怖感是一种较为复杂的情感,主要由恐惧、厌恶和焦虑这三种较为单纯的情绪混合而成。为了达到其艺术目的即最大限度地激发接受者的恐怖情感,恐怖艺术就需要激发起这三种情绪。 第二章具体地探讨了恐怖艺术作品是从那些方面来激发接受者的恐怖感的问题。恐怖艺术会主要表现恐怖对象对肉体生存和社会精神文化的威胁,并运用一系列的叙事技巧手段,多层次地激发起接受者的恐怖情感。 第三章则试图解决恐怖作品是如何带给接受者快感的问题。恐怖艺术作为一种艺术类型,不同于日常的普通生活,而是拥有一系列艺术手段,从而获得审美距离,艺术恐怖与现实恐怖的区别,使接受者获得审美快感成为可能。而且这种审美快感并非来自于人本性中恶意的满足,而是来自与两个方面:一是恐怖艺术的逾越性使接受者感受到生命的紧张感和自由性,二是接受者能从恐怖艺术中获得普遍的认知满足。由此,恐怖痛感与审美快感统一于恐怖艺术作品中。
[Abstract]:The art of terror is a kind of art with the appeal of arousing the recipient's horror emotion. Since the new century, the art of terror has become more and more popular, and the aesthetic problem of terror has begun to attract the attention of the academic circles. This paper takes horror films and horror novels as examples. Based on the relevant theoretical research, this paper makes a preliminary exploration on the aesthetic psychology in the art of terror. In the first chapter, we focus on solving the problem of the composition of the sense of terror. The sense of terror is a more complex emotion, mainly caused by fear. In order to achieve its artistic purpose, that is, to excite the recipient's terror emotion to the maximum extent, the horror art needs to stimulate these three emotions. In the second chapter, the author discusses in detail the problem that the art works of terror arouse the recipient's sense of terror from those aspects. The art of terror will mainly express the threat of terrorist objects to the survival of the body and the spiritual culture of the society. And the use of a series of narrative techniques, multi-level to stimulate the recipient's horror feelings. The third chapter tries to solve the problem of how the horror works bring pleasure to the recipients. As an art type, the art of terror is different from ordinary life, but has a series of artistic means, thus obtaining the aesthetic distance. The difference between artistic terror and real terror makes it possible for the recipient to obtain aesthetic pleasure. Moreover, this aesthetic pleasure does not come from malicious gratification in human nature. It comes from two aspects: one is that the transcendence of the art of terror makes the recipient feel the tension and freedom of life, the other is that the recipient can obtain universal cognitive satisfaction from the art of terror. Horror pain and aesthetic pleasure are United in the art of terror.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:J01
【参考文献】
相关期刊论文 前3条
1 沈壮娟;高月峰;;试析西方恐怖美学研究的三个维度[J];山东社会科学;2006年05期
2 杨春宇;;西方恐怖电影的宗教渊源——圣经[J];时代文学(下半月);2009年12期
3 孔许友;;弗洛伊德理论对美学的两点新启示[J];新疆艺术学院学报;2007年01期
相关博士学位论文 前1条
1 沈壮娟;论恐怖与恐怖艺术的审美接受[D];山东大学;2006年
,本文编号:1653295
本文链接:https://www.wllwen.com/wenyilunwen/yishull/1653295.html