扣响可能之门——中国当代艺术文化策略

发布时间：2018-03-23 18:39

本文选题：当代艺术　切入点：批评　出处：《东北师范大学》2003年硕士论文

【摘要】： 人们在进入物质时代的同时，精神生活的困惑，信仰的遗失，使人们迷盲。危机时刻，中国当代艺术正以独特的身份进入到与人类文明的对话空间，并产生巨大影响。它对社会现实发问，它对当代的人产生质疑，它越来越多的引起了人们的重视和关注。解决在当代文化的逻辑中如何对待文化的演化和语言情境的演变，这需要对当代艺术具体的分析、研究、整合，才能在这个标准多元、咨讯繁复，艺术切片和文化碎片如爆炸物的时代发音明确，找到自身的位置。本文分别从艺术批评的角度和艺术实践两个方面论述了中国当代艺术文化策略。第一部分：主要讲述当代批评一方面还固守传统，另一方面仍没有摆脱西方模式的套用。批评的僵化导致了批评相对于艺术实践的滞后，为了提高当代批评的水准，进行当代批评体系的建设迫在眉睫。 1、阐述艺术批评对中国当代艺术发展的重要性。 (1)、指出了当代批评的弊端，同时又肯定了从80年代“形式批评”到90年代“意义批评”的进步性。 (2)、论述了要确立良性的批评观，使之成为当代艺术发展的指路明灯。 2、阐述了在中国，策展人与批评是分不开的，论述了策展人对中国当代艺术发展所起到的重要作用。第二部分：从艺术实践的角度论述了中国当代艺术文化身份是如何确立起来的。 1、论述了统一形态的中国美术在二三十年的原始积累中是如何演变的。 (1)、根据史料把文革时期以及伤痕美术归结为“文革现实主义”并把“文革现实主义”向“乡土现实主义”过度归纳为“统一形态渐变”。 (2)、八十年代新潮美术运动是一场理想主义的思想解放运动，虽然不能切入到中国社会的现实，，但它开创中国美术的多元。并把它归纳为 “统一形态分裂”。 2、通过“新生代”“玩世”“波谱”等艺术现象阐述九十年代中国当代艺术家的解构性策略。 3、从国内、国外两个不同的视角论述了中国当代艺术的文化身份是怎样确立起来的。
[Abstract]:At the same time when people enter the material age, the confusion of spiritual life and the loss of faith make people lose their minds. At the crisis moment, Chinese contemporary art is entering into the dialogue space with human civilization in its unique status. It questions the social reality, it questions the contemporary people, it attracts more and more people's attention and attention. It solves the problem of how to deal with the evolution of culture and the evolution of linguistic situation in the logic of contemporary culture. This requires specific analysis, research, and integration of contemporary art in order to find its place in this age of diversity, complexity, sections of art and cultural fragments such as explosives. This paper discusses the strategy of Chinese contemporary art culture from the angle of art criticism and art practice. The first part mainly talks about the contemporary criticism, on the one hand, sticking to tradition, on the other hand, still not getting rid of the application of western mode. The rigidity of criticism leads to the lag of criticism relative to art practice, in order to raise the level of contemporary criticism, It is urgent to construct the system of contemporary criticism. 1. Expound the importance of art criticism to the development of Chinese contemporary art. This paper points out the drawbacks of contemporary criticism and affirms the progress from "formal criticism" to "meaning criticism" in the 1980s. This paper discusses the need to establish a benign view of criticism and make it a beacon for the development of contemporary art. 2, expound that curators and criticism are inseparable in China, and discuss the important role that curators play in the development of Chinese contemporary art. The second part discusses how to establish the identity of Chinese contemporary art culture from the angle of art practice. 1. It discusses how the unified form of Chinese art evolves in the primitive accumulation of 20 or 30 years. According to the historical data, the art of the Cultural Revolution and the scar was summed up as "the realism of the Cultural Revolution" and "the realism of the Cultural Revolution" as "the gradual change of the unified form" from "the realism of the Cultural Revolution" to the "local realism". The modern art movement of the 1980s was an idealistic movement of emancipation of the mind, though. It cannot be cut into the reality of Chinese society, but it creates the pluralism of Chinese art. The division of the unified form. 2, through the "Cenozoic", "play the world," "spectrum" and other artistic phenomena to explain the 1990s when China. The deconstruction strategy of the artists of the generation. 3. From two different angles of view, domestic and foreign, this paper discusses the cultural identity of Chinese contemporary art. How to establish it.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J120.9

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