徐复观艺术诠释体系研究

发布时间：2018-03-24 15:32

本文选题：徐复观　切入点：艺术　出处：《武汉大学》2005年博士论文

【摘要】：作为徐复观的新儒学体系的一部分,徐复观的艺术诠释体系到底有多少深刻内涵?其所具有的理论意义与现实意义到底如何?这是本文所要研究的内容。本文的研究,将不仅是对徐复观新儒学体系研究的开拓,而且对整个现代新儒学的研究的开拓与深入都具有启示性的意义。本文的主要内容如下: 在导论中,本文以西方诠释学的理论框架为参照系,主要考察了影响徐复观的艺术诠释的文化传统、时代因素和个人因素。第一章探讨徐复观艺术诠释体系的历史背景。主要有两个方面,即现代性的危机所造成的现代人的文化困境和现代主义在台湾的出现和流行。现代性的危机所造成的现代人的文化困境,徐复观从三个方面对它进行了批判,即现代人虚无主义的价值观决定了现代人在生活上“不思不想”,在文化上无“根”与放逐。现代主义之所以在台湾出现和流行,其根本原因在于:20世纪50-60年代的台湾经济的发展导致了个性的觉醒,而国民党政府所造成的“文化沙漠”的局面又没有适合个性表现与发展的舞台,因此,台湾的年青人便引进嫁接了在西方已处于衰落之势的现代主义。在这种情况下所发展起来的台湾的现代主义文学与绘画,其基本特征与价值追求是对中国传统文学与绘画的根本反叛。这样,使得徐复观从对自然形象的破坏,精神主体的闭锁和暴力主义的倾向三个方面对现代主义进行了批判。可以说,通过对历史背景的研究,为揭示徐复观艺术诠释体系的深刻内涵打下了论述的现实基础。第二章说明徐复观艺术诠释体系的哲学基础。同样也有两个方面,即以“心性论”为中心的人文主义和以“心”为中心的文化哲学。前者主要论述了三个方面的内容:即“心性论”的完成,“教”与“养”的问题和“物”的问题。这是徐复观对中国文化基本内涵的分析;后者主要论述了徐复观是如何从文化的历史性层面的限制,而建立起他的“心的文化”哲学的,同时,在徐复观那里,“心的文化”是一种实践性的文化,而不是一种形而上学,这是徐复观对中国文化的基本性格的分析。这两点,形成了徐复观颇具特色的“心学”,可以说,通过对徐复观艺术诠释体系的哲学基础的揭示,为研究徐复观的艺术诠释打下了论述的理论基础。第三章论述两种艺术人生范型的确立,它是形成徐复观“为人生而艺术”的艺术思想基础。因为在他看来,中国文化中的艺术精神,穷究到底,只有由孔子和庄子所显示出的两种艺术人生范型。孔子所开显的是仁与音乐的合一,这是道德与艺术在穷极之地的统一。对于这种人生,徐复观着重分析了在孔子的“乐教”中,“仁”与“乐”的价值根源的同一性,故音乐可以促进人生教化。通过徐复观对“无声之乐”的分析,孔子“为人生而艺术”的大旨由此被凸显了出来;庄子
[Abstract]:As part of his new Confucianism system, art interpretation system Xu how profound connotation? Theoretical significance and the practical significance of it in the end how? This is the content of this paper. This study will not only be on the system of the new Confucianism Xu development, but also has the enlightenment with the in-depth study of the development of Modern Neo Confucianism's significance. The main contents of this paper are as follows:
In the introduction, based on the theoretical framework of Western hermeneutics for reference, studied the influence of art interpretation Xu cultural tradition, age and individual factors.
The first chapter discusses the historical background of XuFuguan's hermeneutical system of art. There are two main aspects, namely the cultural predicament of modern people caused by modern crisis and Modernism in Taiwan and popular culture. The plight of modern people caused by modern crisis, Xu Fuguan from three aspects of the criticism. The modern nihilism determines the value of the modern people in life "not to think, do not want to" no "root" and exile in culture. The modern and popular in Taiwan, the reason is that in twentieth Century 50-60 in Taiwan in the development of economy leads to the individual awakening and caused by the Kuomintang government the situation of "cultural desert" and not suitable for the stage of self-expression and development. Therefore, the young people of Taiwan will introduce the grafting of modernism from the West has been in decline. In this case the Modern literature and painting in Taiwan developed, its basic characteristics and value pursuit is the fundamental Chinese rebellion against traditional literature and painting. This makes Xu from the natural image destruction, three aspects of the main tendency of psychological atresia and violence on the criticism of modernism. It can be said that through the study of under the historical background, this paper expounds on the realistic basis for revealing the deep connotation of XuFuguan's the system.
The second chapter explains the philosophical basis of XuFuguan's hermeneutical system of art. It also contains two aspects, namely the "disposition theory" as the center of the humanism and the "heart" as the center of the cultural philosophy. The former mainly discusses three aspects: the accomplishment of "xinxinglun", "teaching" and "raise" the problem and the problem of "material". This is the analysis of the basic connotation of China Xu culture; the latter mainly discusses how Xu Fuguan culture from the historical aspects of the restrictions, and to establish his philosophy of "heart's culture", at the same time, in his opinion there, "heart's culture" is a kind of practice the culture is not a kind of metaphysics, this is his analysis on basic character Chinese culture. These two points, the formation of Xu Fuguan's distinctive "mind", it can be said that by revealing the philosophy foundation of XuFuguan's hermeneutical system of art, The theoretical basis for the discussion of the interpretation of the art research Xu.
The third chapter discusses the establishment of the two artistic life paradigm, it is the formation of Xu Fuguan's "art for life" art thought foundation. Because in his opinion, Chinese culture art spirit, the final analysis, only by Confucius and Chuang-tzu shows two kinds of artistic life models. Confucius which manifests is benevolence and music one, this is the unity of morality and art in such places. For this life, Xu Fuguan analyzed in Confucius's "music education", "the same value of root of benevolence" and "music", the music can promote life education. Through the analysis of "silent music" Xu Fuguan, Confucius "Art for life" theme which is highlighted; Chuang-tzu

【学位授予单位】：武汉大学
【学位级别】：博士
【学位授予年份】：2005
【分类号】：B261;J0

【引证文献】