劳伦斯的《儿子与情人》与李惠善的《红蝴蝶》的比较研究
发布时间:2018-04-04 19:35
本文选题:恋母情节 切入点:无意识世界 出处:《延边大学》2005年硕士论文
【摘要】:戴维·劳伦斯是20世纪最富有创见的作家之一,是英国现代主义小说的先驱。他的自传体小说《儿子与情人》是劳伦斯的第一部成名之作。而且至今仍然被视为他的最优秀的作品之一。《儿子与情人》敢于突破十九世纪前辈作家的创作传统,以其独特的视角、抒情的风格、细致的笔触、深刻地展示了人物的内心世界,描写了母亲和儿子之间爱恨缠绵、欲罢不能的情感体验。 李惠善是中国朝鲜族作家中起着中坚作用的作家。她的小说《红蝴蝶》也是着重呈现人物的内心世界,主人公被无意识的“恋母情节”不能自拔地困扰着。她用崭新的视角透视人的无意识世界探索人类的最原本最真实的内心世界。中国朝鲜族作家李惠善的《红蝴蝶》与世界文学的大文豪劳伦斯的《儿子与情人》的比较研究能够证明李惠善并没有对劳伦斯进行纯粹的模仿而是接受有利于自身创作的因素的基础上进行个性化的创作,可以为中国朝鲜族文学对世界文学的接受和创新提供参考。 本论文共分为三个部分:第一部分为绪论,概括了以往对劳伦斯和李惠善的研究概况,表明了本论文的研究目的、意义和方法。第二部分为本论共包括四个章节。第一章是验证李惠善立足于劳伦斯的影响下形成的生命主义文艺观,借鉴《儿子与情人》的创作方法创作《红蝴蝶》;第二章是从女权主义角度重新探讨主要人物形象判明李惠善在人物刻画中对劳伦斯的接受和自创;第三章是发掘两部小说的不同的象征主题,判明李惠善的《红蝴蝶》的独创性;第四章是阐述李惠善以民族历史和民族生活为背景的独特性以及李惠善吸收劳伦斯的优秀成果时
[Abstract]:David Lawrence is one of the most creative writers in the 20 th century and a pioneer of English modernist novels.His autobiographical novel, the son and the Lover, is Lawrence's first famous novel.And is still regarded as one of his best works. "son and lover" dares to break through the creation tradition of 19th-century writers, with its unique perspective, lyrical style, meticulous strokes,It deeply shows the inner world of the characters and describes the emotional experience of love and hate between mother and son.Li Huishan is one of the most important Korean writers in China.Her novel Sangaris also focuses on the inner world of the characters, and the protagonist is perplexed by the unconscious "Oedipus plot".She looks into the unconscious world of human beings from a new perspective and explores the most original and true inner world of human beings.A comparative study of Chinese Korean writer Li Hui-shan 's Sangaris and Lawrence's son and Lover by Lawrence, a great literary powerhouse in world literature, can prove that Li Hui-shan does not impersonate Lawrence purely, but accepts himself in favor of himself.On the basis of the factors of body creation,It can provide reference for the Chinese Korean literature to accept and innovate the world literature.This paper is divided into three parts: the first part is an introduction, which summarizes the previous research on Lawrence and Lee Hui-shan, and shows the purpose, significance and methods of this paper.The second part consists of four chapters.The first chapter is to verify that Li Hui-shan based on the influence of Lawrence to form a life of literature and art,The second chapter is to re-explore the main characters from the perspective of feminism to determine Li Hui-shan 's acceptance and self-creation of Lawrence in the portrayal of his characters.The third chapter is to explore the different symbolic themes of the two novels, to determine the originality of Li Hui-shan 's Sangaris, and the fourth chapter is to expound the uniqueness of Li Hui-shan in the background of national history and national life and when Li Hui-shan absorbs Lawrence's outstanding achievements.
【学位授予单位】:延边大学
【学位级别】:硕士
【学位授予年份】:2005
【分类号】:I106.4;I0-03
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