马采的艺术学理论研究——从艺术学独立运动到现代艺术学体系

发布时间：2018-04-05 00:37

本文选题：马采　切入点：艺术学理论　出处：《东南大学》2004年硕士论文

【摘要】：始于19世纪下半叶20世纪初的艺术学独立运动最终确立了艺术学的学科地位,这场运动的主要代表德苏瓦尔及他的著作《美学与一般艺术学》对艺术学问题做出了探讨,使得艺术学理论初具规模和体系性。国际上的这场艺术学独立运动到了20世纪20～30年代才影响到我国,在撰写于 1926—1928年的《艺术学》中,宗白华提倡艺术学从美学中分离出来,并且把艺术学作为一个新诞生的学科来看待,在当时著作都兼谈美和艺术,而没有对国际上艺术学从美学中的分离做出回应的情况下,宗白华第一次明确地主张艺术学的独立,因此他是我国艺术学研究的先驱。由于曾受教于德苏瓦尔,宗白华的艺术学理论主要是继承和发展了德苏瓦尔的观点。1942年马采在发表于《新建设》的《从美学到一般艺术学》中也明确主张艺术学的独立,并且提出了艺术学的研究对象和艺术学的体系。另外在他的艺术学著作五篇中,马采从“本质——创作——作品——欣赏”的理论系统对艺术进行了分析,还从历史上进行了考察,探讨艺术在演变过程中存在的普遍规律,从而做到了理论分析和历史考察相结合,形成了一个体系完备的艺术学理论构架。本文第一次详细地阐述了马采的艺术学理论,并将它与德苏瓦尔和宗白华的艺术学观点做出比较,相对于德苏瓦尔体系略为欠缺而宗白华内容略为庞杂的艺术学理论而言,马采的艺术学著作更具有了整体性和系统性。同时在对新时期艺术学的研究中发现,我国后来出版的艺术学著作在理论构架上并没有超出马采所涉及的艺术学的内容,在部分理论上(例如艺术欣赏)也只是发展和完善了马采在半个多世纪以前提出的观点,同样没有超出其基本框架。马采的一系列真知灼见也仍然有着不可磨灭的价值,即使在今天他对于艺术学研究方法的论述也是切中时弊的。因此,我们说马采是继宗白华之后对我国艺术学研究做出重要扩展的艺术理论家,他的理论应该受到关注并在我国的艺术学发展史上占有一席之地。本文分为三个部分,第一部分主要探讨艺术学独立运动,并阐述艺术学诞生之初在我国的研究情况。第二部分主要论述马采的艺术学理论,并与德苏瓦尔、宗白华和现代的艺术学观点做出比较,旨在说明马采的艺术学理论所具有的价值。第三部分则关注了现代艺术学理论的发展和面临的问题,旨在使本文具有现实意义的同时,又将马采的部分观点放在新时期里加以阐述,从而更全面地了解马采的艺术学理论。
[Abstract]:The independent movement of art, which began in the second half of the 19th century, finally established the subject status of art. The main representative of this movement, de Souwal, and his work Aesthetics and General Art discussed the problem of art.Make art theory take shape of scale and systematicness.It was not until the 1920s and 1930s that the international independent movement of art affected our country.In 1926-1928, Zong Baihua advocated the separation of art from aesthetics and regarded it as a newly born subject. At that time, his works were all about beauty and art.Without responding to the international separation of art from aesthetics, Zong Baihua advocated the independence of art for the first time, so he was a pioneer of art studies in China.Since he was educated in de Souval, Zong Baihua's theory of art mainly inherited and developed de Souval's viewpoint. In 1942, Ma Chai also explicitly advocated the independence of art in "from Aesthetics to General Art" published in "New Construction".And put forward the object of study of art and the system of art.In addition, in his five works of art, Ma Cai analyzes art from the theoretical system of "essence-creation-works-appreciation", and makes an investigation from history to explore the general law of art in the course of its evolution.Thus, theoretical analysis and historical investigation are combined to form a complete theoretical framework of art.This paper, for the first time, expounds Ma Cai's theory of art in detail, and compares it with that of de Souval and Zong Baihua.Ma Cai's works of art are more holistic and systematic.At the same time, in the study of art in the new period, it was found that the later works of art published in China did not exceed the artistic contents of Ma Cai in the theoretical framework.Some of the theories (such as art appreciation) have only developed and perfected the views put forward by Ma Chai more than half a century ago and have not exceeded its basic framework.Ma Chai's series of insights still have indelible value, even in today's art research methods his exposition is also pertinent to the disadvantage of the times.Therefore, we say that Ma Cai is an art theorist who has made an important expansion in the study of Chinese art after Zong Baihua, and his theory should be paid attention to and have a place in the history of Chinese art development.This paper is divided into three parts. The first part mainly discusses the independent movement of art and expounds the research situation in our country at the beginning of the birth of art.The second part mainly discusses Ma Cai's theory of art, and compares it with de Sawar, Zong Baihua and modern view of art, in order to explain the value of Ma Cai's theory of art.The third part focuses on the development of modern art theory and the problems it faces, in order to make this article have realistic significance, and at the same time, put some of Ma Cai's viewpoints in the new period to explain it, so as to understand Ma Cai's theory of art more comprehensively.
【学位授予单位】：东南大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J0

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