体制内外:西安当代艺术生态考

发布时间：2018-04-26 22:11

本文选题：当代艺术 + 艺术生态　；参考：《美苑》2010年01期

【摘要】：西安,作为传统文化的中心与现代文化的边缘,其当代艺术的发展正面临着一种尴尬。传统文化被降格为不可一世的历史的僵尸,陈列在表面平静的黄土文化里,固守并掩饰着商品经济下催生出的种种文化弊端。一方面是区域性的艺术贿赂经济与地摊艺术经济的发达,一方面是区域性的画派林立与农耕似艺术团体的纷繁,处在边缘状态下的西安当代艺术的学术认知与创作空间非常有限。西安当代艺术面临着巨大的压力。然而这也给西安的当代艺术提供了对的深层文化体悟与质疑的机会。但是西安当代艺术的发展极不平衡,体制内外表现出了两种学术态度,一种是艺术诗学与批判的结合,一种是艺术诗学与批判的背离。
[Abstract]:Xi'an, as the center of traditional culture and the edge of modern culture, is facing an awkward development of its contemporary art. The traditional culture has been reduced to a zombie of unborn history. It is displayed on the surface of the calm loess culture, sticking to and covering all kinds of cultural malpractices produced under the commodity economy. On the one hand, it is a regional art. The economy of bribery and the flourishing of the art and economy of Xi'an, on the one hand, are the complex of the regional painting school and the farming art group, and the academic cognition and creation space of the contemporary art in the border state is very limited. The contemporary art of Xi'an is facing great pressure. However, this also provides the deep depth to the contemporary art of Xi'an. Cultural insight and the opportunity of questioning, but the development of contemporary art in Xi'an is extremely unbalanced, and two kinds of academic attitudes are displayed inside and outside the system. One is the combination of art poetics and criticism, and one is the deviation between art poetics and criticism.

【作者单位】：西安美术学院艺术研究所;
【分类号】：J120

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