文学:对“单语言时代”的历史告别——“全语言文学”实践对经典文学观的批判

发布时间：2018-04-28 20:13

本文选题：经典文学观 + 口语文本　；参考：《吉林大学社会科学学报》2010年05期

【摘要】：在近年来关于经典、经典文学和文学性问题的讨论中,人们始终忽略了一个极为重要的问题——迄今为止所拥有的经典文学观念,其实是"单语言文献文本文学观"。简言之,所谓的经典文学观就是一种只承认单语言文献文本的文学观念。这种文学观念大体上是在19世纪和20世纪定型的。在方便、快捷、极低成本的数字技术普及前的20世纪,执有经典文学观念是可行的和可信的,因为,单语言文献文本几乎就是当时社会文学生活的全部形态。但是在数字写作、复制和传播技术极速发展的21世纪,由单语言文字文本构成的文学生产和消费活动正在被迅速"消解"。一个不仅"读图",而且"读视频"、"读声音音响",并与读文字共同建构的"全语言文学时代"正在快速生成。因此告别经典文学观念,开放文学边界,拓宽文学视野,是我们面对"全语言文学"挑战所必须做出的历史选择。
[Abstract]:In recent years, in the discussion of classical literature, classical literature and literariness, people have always neglected a very important issue-the classical literary concept so far, in fact, is a "monolingual literary view of text". In short, the so-called classical literary view is a literary concept that only recognizes the text of a single language document. This literary concept was largely shaped in the 19 th and 20 th centuries. In the 20th century before the popularization of convenient, fast and low-cost digital technology, it was feasible and credible to hold on to the classical literary concept, because the monolingual literature text was almost the whole form of the social and literary life at that time. But in the 21st century, with the rapid development of digital writing, reproduction and communication technology, literary production and consumption, consisting of monolingual text, is rapidly being "dispelled". A "whole language Literary Age", which is not only "read pictures", "read video", "read sound and sound", and is constructed together with reading words, is emerging rapidly. Therefore, to bid farewell to the concept of classical literature, to open the literary boundary, and to broaden the literary horizon are the historical choices we must make in the face of the challenge of "all-language literature".
【作者单位】：吉林大学文学院;
【基金】：吉林省社会科学基金项目(2009B023)
【分类号】：I06

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