审美视野下的意象研究

发布时间：2018-06-19 01:53

本文选题：意象 + 历史区分　；参考：《新疆大学》2005年硕士论文

【摘要】：意象是主客体相结合的统一体,它由情感与理性等多方面因素相融合而成。意象不只是艺术的构成单位,更是艺术作品本身、是艺术品区别于其他事物存在的独特标志。它的存在是多层次的,包涵着丰富的内容与表现形态;它既是美的事物的形象体现,又是理性之光的抽象投射。意象,作为一个极富于美学含义的范畴,值得我们不断深思和探讨。本文将从意象的审美含义出发,探讨意象在审美视野下的发生发展历程, 并对意象的审美特性作一总结和认识。全文共由正文三个部分及结束语组成。正文第一部分是从历史的角度对意象的概念流变作定义和区分。通过大量的史料和文献考证,意象的确是我国美学史上一个古老的范畴, 并且较早的出现了审美意义上的情感意象论。从一般的心理印象、一般的象征性符号意象到审美情感逐渐在艺术创作中积累、完善,最终形成具有审美意味的意象,即审美意象,这是一个意象不断审美化的过程, 同时也是一个意象思维不断超越的过程,是艺术家内心生命的形象显现。对比中西方意象理论,后者就提出年代上明显要晚,且与我们有所区别。中国意象论重视情与景的融合;西方意象论重视情感与形式的统一。由于对意象中情感因素的重视,都使得意象的审美含义得到突出和彰显。正文第二部分从意象的结构与创作出发,从构成审美意象要素的 “意”和“象”两方面,重点考察意象审美的心理机制和符号化特征。指出意象的审美发生过程就是通过各种意象符号的塑造来表现审美的人所具有的内在精神及其美学超越过程。其中,审美想象起到了极为重要的作用,意象的审美发生需要借助审美想象,才能以象化意,完成意象的审美创造和美学解读。而各种意象的物化形态或物质媒介也为我们
[Abstract]:Image is a unity of subject and object, which is composed of emotion and reason. Image is not only the unit of art, but also the work of art itself. Its existence is multi-level, including abundant internal capacity and expressive form; it is not only the image embodiment of beautiful things, but also the abstract projection of rational light. Image, as a category rich in aesthetic meaning, deserves our constant deep thinking and discussion. Starting from the aesthetic meaning of image, this paper discusses the development of image under the aesthetic vision, and makes a summary and understanding of the aesthetic characteristics of image. The full text consists of three parts of the text and concluding remarks. The first part of the text defines and distinguishes the concept evolution of image from the historical point of view. Through a large number of historical data and literature research, imagery is indeed an ancient category in the history of aesthetics in China, and early appeared in the aesthetic sense of emotional imagery. From the general psychological impression, the general symbolic symbol image to the aesthetic emotion gradually accumulates in the artistic creation, consummates, finally forms the esthetic meaning image, that is, the esthetic image, This is a process of continuous image aesthetic, but also a process of image thinking constantly transcending, is the image of the artist's inner life. Compared with Chinese and Western imagery theory, the latter is obviously late and different from us. Chinese imagism emphasizes the fusion of emotion and scenery, while western imagism emphasizes the unity of emotion and form. Because of the importance of emotional factors in image, the aesthetic meaning of image is prominent and obvious. The second part of the text starts from the structure and creation of image, from the two aspects of "meaning" and "image", which constitute the elements of aesthetic image, and focuses on the psychological mechanism and symbolic characteristics of image aesthetics. It is pointed out that the aesthetic process of image is the inner spirit and aesthetic transcendence of the aesthetic person through the shaping of various image symbols. The aesthetic imagination plays a very important role, and the aesthetic appearance of image needs the help of aesthetic imagination to complete the aesthetic creation and aesthetic interpretation of imagery. And the materialized forms or media of all kinds of images are also for us.
【学位授予单位】：新疆大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：I01

【引证文献】