艺术的自觉——关于中国当代艺术现象的剖析

发布时间：2018-06-22 19:36

  本文选题：中国艺术精神 + 艺术自觉　； 参考：《美术观察》2010年11期

【摘要】：正虽然艺术并非一定起源于"模仿",但模仿却是古代艺术最主要的特征之一。而一旦人们摆脱了这一阶段进入"情绪的表达"或"心灵的再现",则是艺术自觉的开始。原始陶器在追求实用的同时,对器物造型与装饰的审美要求,是人类有意识或无意识的艺术自觉。所谓"自觉",即为自我所感知,有自我觉醒和自我奋发之意,是一种内在的主动觉悟。徐复观在《中国艺术精神》中说:"到了魏晋时代,因玄学之力,而比西方早一千多年,引起了艺术的真正自觉。"然而,中国的现代艺术又何以由"自觉"返回到了"模仿"状态呢?众所周知,中国画的临摹不同于艺术的模仿,从"师古人之迹"到
[Abstract]:Although art does not necessarily originate from imitation, imitation is one of the most important features of ancient art. Once people get rid of this stage and enter into "expression of emotion" or "reappearance of mind", it is the beginning of artistic consciousness. In pursuit of practicality, the aesthetic requirements for the shape and decoration of objects are the conscious or unconscious artistic consciousness of human beings. Self-consciousness, which means self-awareness, self-awakening and self-exertion, is an inner active consciousness. Xu Fuguan said in "the Spirit of Chinese Art": "in the Wei and Jin dynasties, because of the power of metaphysics, more than a thousand years earlier than the West, it aroused the true consciousness of art." However, how can Chinese modern art return from "consciousness" to "imitation"? As we all know, the copying of Chinese painting is different from the imitation of art.
【作者单位】： 景德镇陶瓷学院陶瓷美术学院;
【分类号】：J120.9
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本文编号：2054002