现代文艺学范式的媒介中心论转向

发布时间：2018-07-26 14:27

【摘要】：20世纪后期以来,现代文艺学范式继"文本中心论转向"、"读者中心论转向"两次革命之后,又在"文化研究转向"和"传播学转向"的过程中孕育、形成了"媒介中心论转向"。这一革命性变革促进了我国文艺传播学的建立与文学传播媒介研究的兴起,打破了传统的工具论文学媒介观,建立起一种新的本体论文学媒介观,并培育、增强了文学活动主体自觉的媒介意识,对于文艺学学科建设以及文学艺术的发展无疑具有重要的推动作用,但也存在着一种重视传播媒介而忽视表现媒介的倾向。事实上,文学表现媒介是先于文学传播媒介发挥作用的,应该大力挖掘并充分发挥其艺术创造力和表现力,从而为真正实现文学作品传播、接受的范围最大化和效果最优化提供切实的保障。为此,深入研究与文学传播媒介及其技术发展相适应的文学表现媒介的特点、功能,将成为当代文艺学的一个重要课题。
[Abstract]:Since the late twentieth Century, the paradigm of modern literature and art, following the two revolution of "text centrism" and "reader centered theory", was conceived in the course of "the turn of cultural research" and "the transfer of communication", forming a "media center theory turn". This revolutionary change has promoted the establishment of Chinese literature and art communication and the study of literature media. The rise, breaking the traditional media mesoscopic tool thesis, establishing a new media mesoscopic of ontological thesis, fostering and enhancing the conscious media consciousness of the subject of literary activities, undoubtedly has an important role in promoting the construction of literature and art and the development of literature and art, but there is also a kind of emphasis on the media and neglecting the performance. As a matter of fact, the medium of literary expression plays a role before the media of literature. It should energetically excavate and give full play to its artistic creativity and expressiveness so as to provide real guarantee for the true realization of the dissemination of literary works, the maximization of the scope of acceptance and the optimization of the effect. The characteristics and functions of literary expression, which are suitable for technological development, will become an important topic in contemporary literature and art.
【作者单位】：哈尔滨师范大学文学院;廊坊师范学院文学院;
【基金】：国家社科基金项目“科学视野中的文艺学”阶段性成果之一,课题编号:02BZW009
【分类号】：I0

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