现代艺术非人化的研究

发布时间：2018-10-15 16:24

【摘要】：进入 21 世纪以来,随着现代主义和后现代主义的浪潮不断地涌入中国,深深地影响了我国文学和艺术的发展。现代主义是 20 世纪初至 60 年代在国外兴起的运动,它首先兴起于美术,逐渐波及到其它的领域,并引发了文学、音乐、建筑、哲学等许多学科的一场革命。在现代主义运动影响下的现代艺术的变现过程中,现代艺术逐渐地呈现出了艺术主题形象的破碎化、非物化和主题形象的消亡等各种流变过程。本论文将从现代艺术变现的第一步——立体派开始着手进行分析现代艺术主题形象的终结这一过程。本篇论文将分为四个阶段对这一主题进行讨论: 1.现代艺术发展的历史进程 2.现代艺术诸流派的理念和变现 3.现代艺术的终结 4.现代艺术非人化的探究在现代艺术发展的历史进程中分析了现代艺术发展和变现的几个阶段,对从现代艺术的创始人塞尚开始到立体派的革命,及以杜尚为代表的达达派和后现代艺术的过程这四个阶段进行了划分。在现代艺术诸流派的理念和变现这一章中集中分析了立体派的艺术和理论,并将现代艺术划分成三个阶段,主题形象的“破碎化”、主题形象的消亡和非物化以及现代艺术主题形象的终结非形象化这一变幻过程。以及早期的苏联先锋派的艺术和先锋派的人物对欧洲艺术的影响(康定斯基)。在“现代艺术的终结”这一章中着重讨论了布洛克的线条绘画,即无主题形象的绘画和几位主题形象彻底消亡的抽象画家,以及克莱恩等人的绘画的“空无”和杜尚的艺术人生。在“现代艺术非人化的探究”这一部分中则着重分析了现代艺术主题形象的消亡和出现非人化现象的原因,以及社会的发展对绘画的冲击,使得绘画艺术不得不改变自身原有的面貌。
[Abstract]:Since entering the 21st century, with the tide of modernism and postmodernism pouring into China, it has deeply influenced the development of Chinese literature and art. Modernism is a movement rising in foreign countries from the beginning of the 20th century to the sixties. It first rose in fine arts, and gradually spread to other fields, and led to a revolution in literature, music, architecture, philosophy and many other disciplines. In the process of realizing modern art under the influence of modernism movement, modern art gradually presents a variety of changing processes, such as the fragmentation of artistic theme image, the non-materialization and the disappearance of themed image. This thesis will begin with the first step of realizing modern art, cubism, to analyze the end of the theme image of modern art. This paper will be divided into four stages to discuss the theme: 1. The historical process of the development of modern art 2. The concept and realization of all schools of modern art. The end of Modern Art. The exploration of dehumanization of modern art analyzes several stages of the development and realization of modern art in the historical process of the development of modern art. This paper divides the revolution from the founder of modern art, Cezanne, to cubism, and the process of Dadaism and postmodern art represented by Dushans. In the chapter of concept and realization of various schools of modern art, it focuses on the analysis of the art and theory of cubism, and divides modern art into three stages, the "fragmentation" of the theme image. The disappearing and non-materialization of theme image and the ending of modern art theme image are the changing process of non-visualization. As well as the early Soviet avant-garde art and the influence of avant-garde figures on European art (Kandinsky). In the chapter "the end of Modern Art", the author mainly discusses Bullock's line painting, that is, painting without theme image and abstract painter whose theme image is completely dead. As well as Klein and others' painting "emptiness" and Duchamp's artistic life. In the part of "the exploration of dehumanization of modern art", the author focuses on the analysis of the disappearance of the image of modern art theme and the causes of the phenomenon of dehumanization, as well as the impact of the development of society on painting. The painting art has to change its original face.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：J120

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