艺术语言与审美体验的互动关系研究
发布时间：2018-11-19 14:40
【摘要】：发话主体在艺术语言的创作过程中,常常将自己对世界的审美体验融进了艺 术语言。一定时代一定地域的人们对世界的审美体验和认知方式具有一定的特 点,甚至形成一定的模式。人们求新求异的努力使人们要突破原有的语言表达方 式,这又导致人们新的审美体验的出现。 一定地域,一定历史时期人们使用的修辞方式具有一定的特点,这就形成特 定的审美体验的表现模式。人们在使用语言的过程中,对已有的表现模式既有继 承,也在不断地超越。 发话主体的审美体验常常是偏离现实的。一方面,发话主体的审美体验对现 实的偏离是艺术语言产生的基础。另一方面,艺术语言一旦产生,会影响人们对 现实的审美体验。 我们认为,在艺术语言中,隐喻的喻体和本体的审美体验相似性越明显,隐 喻越有独创性:隐喻的喻体和本体的客观相异性越明显,隐喻越有独创性。并且, 对于某一句艺术语言,我们很难找到一个客观的标准来量化其独创性,其独创性 的认定一般只能靠我们的审美体验来衡量。 对艺术语言的理解是一个复杂的问题。对发话主体的了解及读者个人的文化 修养都影响他对艺术语言的理解。语境也对理解艺术语言有制约作用。
[Abstract]:In the process of artistic language creation, the speaker often melts his aesthetic experience of the world into art language. At a certain time, people in a certain region have a certain special experience and cognitive style of the world, and even form a certain mode. People's efforts to seek new and different things make people break through the original expressions of language, which leads to the emergence of new aesthetic experience. In a certain region and in a certain historical period, the rhetorical means used by people have certain characteristics, which forms the expression mode of special aesthetic experience. In the process of using language, people are inheriting and surpassing the existing performance patterns. The aesthetic experience of the speaker often deviates from reality. On the one hand, the deviation from reality is the basis of artistic language. On the other hand, once artistic language comes into being, it will affect people's aesthetic experience of reality. In the artistic language, the more obvious the similarity between the metaphor and the aesthetic experience of the ontology is, the more original the implicit metaphor is. The more obvious the objective difference between the metaphor and the Noumenon is, the more original the metaphor is. Moreover, it is difficult to find an objective criterion to quantify the originality of an artistic language, and its originality can only be measured by our aesthetic experience. Understanding the language of art is a complex problem. The understanding of the speaker and the individual culture of the reader affect his understanding of artistic language. Context also restricts the understanding of artistic language.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：I045
本文编号：2342640
[Abstract]:In the process of artistic language creation, the speaker often melts his aesthetic experience of the world into art language. At a certain time, people in a certain region have a certain special experience and cognitive style of the world, and even form a certain mode. People's efforts to seek new and different things make people break through the original expressions of language, which leads to the emergence of new aesthetic experience. In a certain region and in a certain historical period, the rhetorical means used by people have certain characteristics, which forms the expression mode of special aesthetic experience. In the process of using language, people are inheriting and surpassing the existing performance patterns. The aesthetic experience of the speaker often deviates from reality. On the one hand, the deviation from reality is the basis of artistic language. On the other hand, once artistic language comes into being, it will affect people's aesthetic experience of reality. In the artistic language, the more obvious the similarity between the metaphor and the aesthetic experience of the ontology is, the more original the implicit metaphor is. The more obvious the objective difference between the metaphor and the Noumenon is, the more original the metaphor is. Moreover, it is difficult to find an objective criterion to quantify the originality of an artistic language, and its originality can only be measured by our aesthetic experience. Understanding the language of art is a complex problem. The understanding of the speaker and the individual culture of the reader affect his understanding of artistic language. Context also restricts the understanding of artistic language.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：I045
【参考文献】
相关期刊论文 前1条
1 邱渊,齐春红;语言中的任意概念系统和隐喻概念系统[J];云南师范大学学报;2004年01期
，本文编号：2342640
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