阿嵯耶观音造像研究
发布时间：2019-04-02 05:24
【摘要】：具有东南亚风格的阿嵯耶观音像出现于南诏晚期,是南诏、大理国最受尊崇的一位神yG,对于在许多方面深受中原文化影响的南诏国而言,以阿嵯耶观音代替汉地观音成为主尊,其中必有原因,阿嵯耶观音的出现对南诏究竟有何意义和功能,她在南诏与唐王朝的交往中充当着怎样的角色?其的影响如何?本文旨在通过对阿嵯耶观音圣像来源的探讨,进而分析南诏与中原唐王朝的关系及阿嵯耶观音在其中的凸现的历史作用和意义,最终揭示出阿嵯耶观音圣像后面所隐藏着的思想实质:即她是南诏国王权意识、民族意识精神的象征! 全文分为六章,各章大意如下: 第一章为绪论,首先,详述本文写作的目的、意义。由于阿嵯耶观音像独特的造型和浓郁的地方特色信仰,长期来都受到中外学者的普遍关注,尤其是对其造型来源,虽有多方研究,但至今尚无定论。而阿嵯耶观音在南诏历史上所受到崇拜的至尊地位,又不得不使我们对其造型来源和在南诏的作用和意义进行深入地探讨。其次,对中外有关阿嵯耶观音研究的现状进行回顾评述。任何学术的研究都是在尊重、吸收前人研究的成果和方法的基础上进行的,有继承才有发展。前人对阿嵯耶观音的研究给我们很大的启示,以此为线索,使我们能够明确研究的方向。最后,在充分掌握历史文献、资料的基础上,应用图像学、社会学、比较等方法对阿嵯耶观音造型和信仰展开深入细致地研究。 第二章由对《南诏图传》制作的回顾,说明阿嵯耶观音圣像在大理地区的传说来源,然后对其造型特点以及在《南诏图传》、张胜温《梵像卷》和剑川石窟中的形象作具体论述,并与同时期,即唐宋时期的汉传佛教和藏传佛教中的观音像进行比较,以此说明阿嵯耶观音造型和风格均与这两地的观音像完全不同,另有其来源。根据前人的研究提示,阿嵯耶观音圣像造型可能来自东南亚。事实是否如此,需要我们对东南亚及印度的观音造型进行研究,才能最后作出结论。 第三章东南亚的佛教及佛教艺术的源头在印度,不了解印度的观音造型和风格就不可能对东南亚的观音造型和风格有深入地认识,也就无法明确阿嵯耶观音造型的真正来源。因此,本章探讨了印度的观音信仰和观音造型,并指出源于印度的不同的观音造型及风格对东南亚、中国、中亚等地区都有巨大的影响,尤其是对东南亚的影响最为深刻、长久。 第四章东南亚是印度化最强烈的地区,在政治、文化、宗教等方面都深受印度文明的影响,尤其是佛教及其艺术最为明显。然而,没有佛教的传入、流行就不可能有佛教艺术的存在。在这章里,我们首先论述了佛教在东南亚的传播和发展情况,尤其是观音的信仰和传播情况,同时强调了佛教的繁荣发展极大地刺激了佛教艺术的兴旺发达,而佛教艺术的发展更进一步促进了佛教的广泛传播,两者相得益彰。 其次,重点论述了7-13 世纪东南亚观音造型和风格。7-13 世纪是东南亚佛教,尤其是大乘佛教和密宗发展的鼎盛时期,东南亚盛行的观音造像鲜明地反映了这一点。由于阿嵯耶观音造型来自东南亚,东南亚的观音造型就成为本章论述的重点,这也是本文的重点部分之一。本章着重详述东南亚各国不同风格的观音
[Abstract]:In the late stage of the South Carolina, the South-East Asian style of the Astro-Guanyin is the one of the most respected in the South China and the Dali State, and for the South Korean nation which has been affected by the Central Plains culture in many respects, in the case of the South Korean nation which is deeply affected by the Central Plains culture in many respects, the Aguyanyin Guanyin is the main reason for the replacement of the Guanyin Guanyin in the Han place, and there must be a reason, What is the significance and function of the appearance of Aoyueguanyin to the South China, and how does she act in the interaction of the South China and the Tang Dynasty? What's the impact? The purpose of this paper is to analyze the relationship between the South China and the Central Plains and the Tang Dynasty and the historical role and significance of the Buddha Guanyin in the Central Plains through the study of the source of the holy image of the Guanyin Guanyin. She is the symbol of the consciousness of the king of the South and the spirit of the national consciousness! The full text is divided into Chapter I: Chapter I For the introduction, first, the purpose and significance of writing in this paper are described in detail. Because of the unique shape and the strong local characteristic belief of the Aoyuoye view, it is of great concern to both Chinese and foreign scholars for a long time, especially for them The source of shape, despite the multi-party research, has not yet been decided yet. The source and the role and significance of the South Carolina are discussed in-depth. In addition, the present status of the study of the Guanyin Guanyin is reviewed and reviewed in this paper. The study of any academic study is based on respect and absorption of the former research. The research of the Guanyin Guanyin is a great inspiration to us. As a clue, we can make a clear study of the direction of the study. Finally, on the basis of full knowledge of the historical documents and data, we apply the methods of image, sociology, comparison and so on. The second chapter is to make a thorough study of the shape and belief of the Guanyin Guanyin. The second chapter is a review of the origin of the legend of the temple in the Dali area. In the same period, the images of the Han and Tibetan Buddhism in the Tang and Song Dynasties are compared with the images in the period of the same period, that is, the Tang and Song Dynasties. The style and style of the Akiya's Guanyin are completely different from that of the two places. The source. According to the previous study, the look-and-the-look of the Arachian Guanyin is likely to come from South-East Asia. Are the facts so, In the third chapter, the source of Buddhism and Buddhist art in South-East Asia is in India and does not know the style and style of Guanyin in India. It is possible to have an in-depth understanding of the style and style of the Guanyin in South-East Asia, and it is not possible to define the true source of the shape of the Guanyin Guanyin. Therefore, this chapter discusses the belief of the Guanyin and the style of the Guanyin in India, and points out the different styles of Guanyin and the wind from India. It has a great impact on the Southeast Asia, China, Central Asia and other regions, especially the most profound and long-term impact on the Southeast Asia. South Asia is the most powerful region in India, and in terms of politics, culture, religion, etc. The influence of the Indian civilization, especially the Buddhism and its art, is the most obvious. However, it is impossible to have the existence of Buddhist art without the introduction of Buddhism. In this chapter, we first discuss the Buddhism in Southeast Asia. The situation of communication and development, in particular the belief and dissemination of the Guanyin, and the emphasis on Buddhism The prosperity and development greatly stimulated the flourishing of the Buddhist art, and the development of the Buddhist art further promoted the wide spread of the Buddhism, and the two complement each other. The style and style of Yanyin. The 7-13 th century is the heyday of the Southeast Asian Buddhism, especially the Great Chinese Buddhism and the secret development, and the prevailing view in Southeast Asia. The sound of the sound is clearly reflected in this point.
【学位授予单位】：南京艺术学院
【学位级别】：博士
【学位授予年份】：2005
【分类号】：K879.4;J110.9
本文编号：2452286
[Abstract]:In the late stage of the South Carolina, the South-East Asian style of the Astro-Guanyin is the one of the most respected in the South China and the Dali State, and for the South Korean nation which has been affected by the Central Plains culture in many respects, in the case of the South Korean nation which is deeply affected by the Central Plains culture in many respects, the Aguyanyin Guanyin is the main reason for the replacement of the Guanyin Guanyin in the Han place, and there must be a reason, What is the significance and function of the appearance of Aoyueguanyin to the South China, and how does she act in the interaction of the South China and the Tang Dynasty? What's the impact? The purpose of this paper is to analyze the relationship between the South China and the Central Plains and the Tang Dynasty and the historical role and significance of the Buddha Guanyin in the Central Plains through the study of the source of the holy image of the Guanyin Guanyin. She is the symbol of the consciousness of the king of the South and the spirit of the national consciousness! The full text is divided into Chapter I: Chapter I For the introduction, first, the purpose and significance of writing in this paper are described in detail. Because of the unique shape and the strong local characteristic belief of the Aoyuoye view, it is of great concern to both Chinese and foreign scholars for a long time, especially for them The source of shape, despite the multi-party research, has not yet been decided yet. The source and the role and significance of the South Carolina are discussed in-depth. In addition, the present status of the study of the Guanyin Guanyin is reviewed and reviewed in this paper. The study of any academic study is based on respect and absorption of the former research. The research of the Guanyin Guanyin is a great inspiration to us. As a clue, we can make a clear study of the direction of the study. Finally, on the basis of full knowledge of the historical documents and data, we apply the methods of image, sociology, comparison and so on. The second chapter is to make a thorough study of the shape and belief of the Guanyin Guanyin. The second chapter is a review of the origin of the legend of the temple in the Dali area. In the same period, the images of the Han and Tibetan Buddhism in the Tang and Song Dynasties are compared with the images in the period of the same period, that is, the Tang and Song Dynasties. The style and style of the Akiya's Guanyin are completely different from that of the two places. The source. According to the previous study, the look-and-the-look of the Arachian Guanyin is likely to come from South-East Asia. Are the facts so, In the third chapter, the source of Buddhism and Buddhist art in South-East Asia is in India and does not know the style and style of Guanyin in India. It is possible to have an in-depth understanding of the style and style of the Guanyin in South-East Asia, and it is not possible to define the true source of the shape of the Guanyin Guanyin. Therefore, this chapter discusses the belief of the Guanyin and the style of the Guanyin in India, and points out the different styles of Guanyin and the wind from India. It has a great impact on the Southeast Asia, China, Central Asia and other regions, especially the most profound and long-term impact on the Southeast Asia. South Asia is the most powerful region in India, and in terms of politics, culture, religion, etc. The influence of the Indian civilization, especially the Buddhism and its art, is the most obvious. However, it is impossible to have the existence of Buddhist art without the introduction of Buddhism. In this chapter, we first discuss the Buddhism in Southeast Asia. The situation of communication and development, in particular the belief and dissemination of the Guanyin, and the emphasis on Buddhism The prosperity and development greatly stimulated the flourishing of the Buddhist art, and the development of the Buddhist art further promoted the wide spread of the Buddhism, and the two complement each other. The style and style of Yanyin. The 7-13 th century is the heyday of the Southeast Asian Buddhism, especially the Great Chinese Buddhism and the secret development, and the prevailing view in Southeast Asia. The sound of the sound is clearly reflected in this point.
【学位授予单位】：南京艺术学院
【学位级别】：博士
【学位授予年份】：2005
【分类号】：K879.4;J110.9
【引证文献】
相关硕士学位论文 前1条
1 马丽云;佛王与本主：南诏国王造像研究[D];中央民族大学;2010年
，本文编号：2452286
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