音乐伴随类电台节目语篇模式初探

发布时间：2018-03-07 11:12

本文选题：话语分析　切入点：语篇模式　出处：《湖南大学》2013年硕士论文　论文类型：学位论文

【摘要】：国内外对于音乐伴随类电台节目的研究已经有相当一部分的成果，而这类研究主要集中在节目的制作和设计本身，对其内在语言的研究相对比较少，对于这一类节目的语篇模式的研究则几乎为空白。本文选取音乐伴随类电台节目《MY FM夜心情》与音乐电视节目《我是歌手》作为对比研究的目标节目，主要对其语篇模式进行了对比分析，从而进一步明确语篇模式分析对于音乐伴随类电台节目具有重要的理论和实践意义。本文主要分为五章。第一章主要介绍了音乐伴随类节目概念、特点、学界的相关研究，以及本文的研究思路，发现了这一领域的研究空白和本研究的意义之所在。第二章主要分析了音乐伴随类节目的语篇模式中的起承转合构架和语调构架，从宏观的角度得出了这类节目的语篇如何利用起承转合四种模式进行话题的引导、转换、推进和收尾,发现其起篇主要是“起+转”模式，，中间部分主要是“承+合+转（起）”模式，结尾部分主要是“起+合”模式。第三章主要对音乐伴随类节目与音乐类电视节目的差异模式进行了对比，得出了这两类节目在语篇模式和篇章类型方面的异同，包括在语言空缺、情景空缺、“起承转合”、话论、话题转换及语体等方面。第四章是对音乐伴随类节目的语篇模式策略分析,认为节目应该在起承转合方面巧妙设计话题，精心组构语篇，简洁收拢话题，灵活变动语言；在话题转换方面筛选关键词和演绎关键词；在语调方面快慢结合，语流顺畅,适当留白。文章的第五章是结语部分，总体介绍了音乐伴随类节目的语篇特点及其策略。本文主要以广播节目和电视节目中的语言为语料，以对比研究和分析研究为手段。新意在于选择了前人很少涉猎的跨学科领域——新闻和语言学，进行对比研究和分析研究，突破了以往单一领域的局限，一定程度上填补了这一方面的空白，也算是一种尝试。因为节目筛选的数量较少，语料的有限性，本文所提到的一些观点还需要在实践中进一步验证。
[Abstract]:There have been quite a few achievements in the research of music accompanying radio programs at home and abroad, and this kind of research is mainly focused on the production and design of programs, and the research on their internal languages is relatively few. The research on the discourse patterns of this kind of programs is almost blank. This paper chooses my FM Night mood as the target program, and the Music TV program I am the Singer as the target of the contrastive study, and makes a contrastive analysis of its discourse patterns. Therefore, discourse pattern analysis has important theoretical and practical significance for music accompanying radio programs. This paper is divided into five chapters. The first chapter mainly introduces the concept of music accompanying programs, characteristics, academic research, as well as the research ideas of this paper. The second chapter mainly analyzes the transference frame and the intonation structure in the discourse model of music accompanying programs, and finds out the research blank in this field and the significance of the present study. From a macro point of view, the author draws a conclusion on how the discourse of this kind of program can guide, transform, push and finish the topic by using four modes of transition and transfer, and find that the starting text is mainly a "starting and turning" mode. The middle part is mainly "Chenghe turn (start)" mode, and the end part is "beginning and closing" mode. Chapter three mainly compares the different modes between music accompanying programs and music TV programs. The similarities and differences of the two kinds of programs in discourse patterns and text types are obtained, including language vacancy, situational vacancy, "transition from beginning to end", and discourse theory. Chapter 4th is an analysis of the strategies of discourse patterns of music accompanying programs, which suggests that programs should design topics skillfully, organize discourse carefully, collect topics succinctly and change language flexibly. In the aspect of topic change, the key words and deductive keywords are selected; the intonation is combined quickly and slowly, the flow of speech is smooth, and the appropriate space is left. Chapter 5th is the conclusion part, which introduces the text characteristics and strategies of the music accompanying programs in general. This paper mainly takes the language of radio and television programs as the corpus, and uses comparative research and analytical research as the means. The new idea lies in choosing the interdisciplinary field, news and linguistics, which was rarely dabbled in by predecessors, and conducting comparative and analytical studies. Breaking through the limitations of the previous single field and filling up the gaps in this area to a certain extent, it is also an attempt. Because the number of programs selected is relatively small and the number of language materials is limited, Some of the points mentioned in this paper need to be further verified in practice.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：G222;H15

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