非物质文化遗产中湖南江永女书传统图形的传承与运用研究

发布时间：2018-01-22 20:00

本文关键词： 女书符号女书女红视觉传达传承创新设计学　出处：《湖南师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：女书是江永女性在对延续数千年男尊女卑封建制度下斗争反抗的生命情感产物。是一部充满传奇色彩的生活启示录。女书,不占社会主流、处于边缘化的民间艺术,是一种养在深闺人未识的独特女性文字,流传于湘南桂北地区交界边境,并仍在江永上江圩等地域所使用,它以举世无双的女性文字形式横空出现。从文化层面上来看,有关女书文化的产生、发展等系统性的文献已渗透到多学科多领域。为研究人类文字与文明起源、女性文化与瑶族的起源,特别是南方汉瑶民族的发展历程等各方面占有重要的研究价值。女书艺术蕴涵神秘,呈现洒脱不羁的豪迈气势,在传统文化中散发出灿烂文明的光辉,造就了民俗艺术审美形式中“根”与“魂”,蕴藏着包罗万象的海纳精神。女书文化作为长江流域瑶族文明的摇篮,造就了楚汉文化和谐统一的历史整体,具有鲜明的地域性特征,其女书元素在国际上发现,独具匠心的艺术价值,深度挖掘女书中原生态文化的精髓,有助于女书视觉艺术的构成方法与特色。本文基于深入江永地区考察、专访、调查采集所获取的鲜活资讯,并广泛查阅了大量江永当地地方文献资料,结合自身的专业知识,运用符号学、设计学的专业理论,展开深入研究。首先,以女书字符造型以及女书女红传统图案解析作为落脚点,论文采用实地调查与文献考查相统一的形式,对女书字符的原始性、女书图案题材造型的民俗性、女书图案题材的艺术性、女书图案审美的生命性以及女书图案象征的内涵全面展开解析。再者,以传承传统女书女红图案的内在意蕴与古拙质朴的艺术造型为前提条件,对女书字符、女红图案经典元素采取“再造与想象”,运用现代艺术表现手法打散重组以符合时代风格。对传统女书字符、女红图案采用“萃取与再构”的艺术表现形式,继承原始风格的条件下,并通过交织和升华、循序增长体现时代审美特点,提升女书固有的独树一帜艺术审美价值。女书艺术语言绝不是孤立而封闭的艺术表象,其实质上是一种历史地域美学文化艺术语言的转换。第三部分为应用设计,即从女书传统图案和创新图案的应用为目标,结合现代产品作为设计中的视觉载体。通过以上艺术表达形式满足对非遗文化中女书传承创新以及符合现代生活方式二者之间的审美需求。然而,艺术的构成形式已经突破了传统的平面、色彩的二维构成,运用轻盈飘逸的曲线造型特征,抽象的艺术语言,诠释着另一种艺术的表现方式。为今后的非物质文化遗产的现代设计体系的传承和创新发展铺平了道路,给现代艺术提供了多元化的表现舞台。使女书字符、女红图案根植于传统的土壤中,重获新生。
[Abstract]:Women's script is the life emotion product of Jiang Yong's struggle and resistance to the feudal system of male superiority and inferiority for thousands of years. It is an apocalypse of life full of legend. Women's script does not occupy the mainstream of society. The marginalized folk art is a kind of unique female writing which is not known by the purdah people. It spreads in the border of southern Hunan and northern Guangxi and is still used in Jiang Yong's Shangjiang Wei and other areas. From the cultural level, the systematic literature on the generation and development of the female script culture has penetrated into the multi-disciplinary and multi-disciplinary fields, in order to study the origin of human writing and civilization. The female culture and the origin of Yao nationality, especially the development course of Han Yao nationality in the south, have important research value. In the traditional culture, it emits brilliant civilization, creates "root" and "soul" in the aesthetic form of folk art, and contains the all-encompassing spirit of Haina. Women's script culture is the cradle of Yao nationality civilization in the Yangtze River Basin. Created a harmonious and unified history of Chu and Han culture, with distinct regional characteristics, the elements of the women's script found in the international, unique artistic value, deep excavation of the essence of the ecological culture of the Central Plains of Women's script. This article is based on the in-depth study of Jiang Yong, interviews, the collection of fresh information, and widely consulted a large number of local literature. Combined with their own professional knowledge, the use of semiotics, design theory, in-depth research. First of all, the female character modeling and female red traditional pattern analysis as the foothold. The paper adopts the unified form of field investigation and literature examination to analyze the originality of the female characters, the folklore of the design theme of the women's script, and the artistry of the design theme of the women's script. The aesthetic life of women's script design and the connotation of the symbol of women's script are comprehensively analyzed. Furthermore, with the inheritance of the inherent meaning of the female red pattern of traditional women's script and the simple artistic modeling of ancient women's script, the characters of women's script are taken as the prerequisite. The classic elements of the female red pattern are "recreated and imagined", and the modern artistic expression techniques are used to break up and recombine to conform to the style of the times. For the traditional female characters, the female red pattern adopts the artistic expression form of "extraction and reconstruction". Under the condition of inheriting the original style, and through interweaving and sublimation, the gradual growth reflects the aesthetic characteristics of the times. To enhance the inherent unique aesthetic value of women's calligraphy art language is not an isolated and closed artistic appearance. The third part is the application design, which aims at the application of traditional patterns and innovative patterns of female calligraphy. The combination of modern products as a visual carrier in the design. Through the above art expression form to meet the inheritance and innovation of women's calligraphy in non-heritage culture and meet the aesthetic needs between the two modern life style. However. The form of art has broken through the traditional plane, the two-dimensional composition of color, the use of light and elegant curve modeling features, abstract art language. Interpretation of another artistic expression, for the future intangible cultural heritage of modern design system inheritance and innovative development of the road, modern art to provide a diversified performance stage, so that female characters. The female red pattern is rooted in the traditional soil and is reborn.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：H123

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