国产电影片名汉译维研究

发布时间：2018-12-07 13:40

【摘要】：电影是文化产业中最为独特的一部分,不仅有大量的日常语言,还承载大量文化信息,强烈的商业文化特征是其首要标志,同时还蕴含着艺术审美精神,在国际文化交流中影视剧互译交流占有不容忽视的地位。电影的片名是电影的点睛之笔,是电影语言最为精湛的部分,更是吸引观众眼球的关键要素,电影片名的译名就起到了吸引具有不同文化背景观众的作用。电影片名的翻译是不同文化间的交流,包括语言结构、语义、语用等方面的变化,更是文化的输入和输出。我国电影历时不短,经典层出不穷,也反映了生活的方方面面。但目前对电影片名的研究以英美影片为主,而专门论述汉语电影片名翻译或从少数民族语言视角研究电影片名翻译的专著或文章较少。本论文拟对电影片名的维译进行一定的探究,搜集例证,对片名进行分析,总结其特点,并归纳国产电影片名维译的方法,对电影片名维译中常见的误区进行梳理,并给出解决对策,力求通过艺术再创造,来提高电影译名的文化价值和商业价值。本论文分为五章,包括引言、正文、结语、参考文献及附录部分。第一章为引言,详细论述了本论文的创作意义及价值,并说明我国学者从不同角度对电影片名翻译的研究历史和现状。第二章简要介绍了电影片名的特点及翻译原则。第三章着重介绍汉语片名维译的方法及策略,探析了汉语片名维译过程中使用的直译法、音译法、意译法、兼译法、创译法,从信息传播价值、审美艺术价值、文化导向价值和商业宣传价值四方面阐明了片名翻译的策略。第四章分析了片名误译及其原因,给出了解决的对策。第五章结语,对全文做了简要总结,以便为更进一步的研究做铺垫。
[Abstract]:Film is the most unique part of the cultural industry, not only has a large number of daily language, but also carries a lot of cultural information, strong commercial cultural characteristics is its primary symbol, but also contains the aesthetic spirit of art. In international cultural exchange, the exchange of film and TV drama translation plays an important role. The title of the film is the finishing touch of the film, the most consummate part of the film language, but also the key element to attract the audience's attention. The translation of the film name plays the role of attracting the audience with different cultural backgrounds. The translation of film titles is the communication between different cultures, including the changes of language structure, semantics, pragmatics and so on, but also the input and output of culture. Chinese films lasted for a long time, classic emerge in endlessly, also reflected all aspects of life. However, at present, British and American films are the main subjects in the study of film titles, but there are few monographs or articles devoted to the translation of Chinese film titles or the translation of film titles from the perspective of minority languages. This thesis intends to explore the Uygur translation of film titles, collect examples, analyze film titles, summarize their characteristics, and summarize the methods of Uygur translation of domestic films, and sort out the common misunderstandings in the translation of film titles. The countermeasures are given to improve the cultural value and commercial value of film translation through artistic re-creation. This paper is divided into five chapters, including introduction, text, conclusion, references and appendices. The first chapter is an introduction, which discusses the significance and value of this thesis in detail, and explains the history and present situation of Chinese scholars' studies on film title translation from different angles. Chapter two briefly introduces the characteristics and translation principles of film titles. The third chapter mainly introduces the methods and strategies of Chinese film title translation, and probes into the literal translation method, transliteration method, free translation method, simultaneous translation method, creative translation method, the value of information dissemination and the value of aesthetic art, which are used in the process of the translation of Chinese film titles in terms of literal translation, transliteration method, free translation method, translation method and creative translation method. Cultural orientation value and commercial propaganda value illustrate the strategies of film title translation. Chapter four analyzes the translation of title and its causes, and gives the countermeasures. The fifth chapter makes a brief summary of the full text in order to pave the way for further research.
【学位授予单位】：伊犁师范学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J215

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